[{"id":1,"title":"Outdoor area","image":"\/assets\/plaene\/urban-art-2022\/map_urbanart_welterbe_ausschnitt_v2.jpg","aspectRatio":{"height":2000,"width":2000},"markers":[{"marker":{"id":51,"title":"2 - Jef A\u00e9rosol","title_html":"<span class=\"guide-vpm-small\">2<\/span><span class=\"guide-vpm-zoomed\"> - Jef A\u00e9rosol<\/span>","left":"8%","top":"27%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">2<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Black Is beautiful!<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Jef A\u00e9rosol<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jef-Aerosol-Black-is-beatiful__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Jef Aerosol Black is beatiful\" aria-describedby=\"image-info-3492\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3492\" class=\"image-info-accessibility sr-only\">Jef Aerosol Black is beatiful\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Jef A\u00e9rosol<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2014, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>240 x 600 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, wood <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/jef-aerosol\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Jean-Fran\u00e7ois Perroy, alias Jef A\u00e9rosol, is an original member of the French pochoir movement. Together with fellow pochoirists like Blek le Rat and Miss Tic, he pioneered the stencilling technique so frequently replicated in the UrbanArt of today. Back in 1986, he created the cover artwork for \"Vite Fait, Bien Fait\", the very first book on the subject of street art, or rather, on the culture of rebellion that the art form represents. Translating as \"Done Quickly, Done Well\", the book's title sums up the punk spirit that characterised the early stencilists. Jef A\u00e9rosol's first graffiti series appeared in Tours in 1982. Based on photos from a photo booth, it comprises a set of self-portraits showing Aerosol making funny faces. The pictures are framed by writing on two sides in a format reminiscent of the record cover for \"London Calling\" by The Clash (Jef A\u00e9rosol is also a musician). The words that feature there include the artist's pseudonym as well as terms and slogans like \"Click Clack\" and \"Sniffin' Paint \" \u2013 references to the transgressive act of spray painting. Over the course of his career, Jef A\u00e9rosol has refined this initial silhouette-like motif style, to create more sophisticated detailed representations. While life-size portraits or figures feature regularly in the pochoiristes' works, Jef A\u00e9rosol now takes things further still, creating murals that cover entire house walls. Of course, pieces such as these can hardly be executed in passing using only cardboard and spray paint cans (the means normally availed of by street punks). But A\u00e9rosol has stayed true to the rough, grayscale look of his original works. Besides rock stars like himself, Jef A\u00e9rosol likes to portray ordinary people. In the piece shown here, a whitewashed assemblage of boards \u2013 reminiscent of the walls of a slum shack \u2013 serves as the background for his portrayal of a group of cheerful African children. Its title came to him as he was browsing through his record collection and came across an album by Soul Unlimited. Its name: \"Black is Beautiful \".<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jef-Aerosol_Newspaper-Boy-2013__ResizedImageWzYwMCw5MDdd.jpg\" alt=\"\" width=\"600\" height=\"907\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Newspaper Boy<br>2013<br>140 x 120 cm<br>Spraypaint, paper<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":12,"title":"4 - Ammar Abo Bakr","title_html":"<span class=\"guide-vpm-small\">4<\/span><span class=\"guide-vpm-zoomed\"> - Ammar Abo Bakr<\/span>","left":"14.5%","top":"15%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">4<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Happy Yemen <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Ammar Abo Bakr<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Ammar-Abo-Bakr__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Ammar Abo Bakr\" aria-describedby=\"image-info-3486\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3486\" class=\"image-info-accessibility sr-only\">Ammar Abo Bakr\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Ammar Abo Bakr<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3 x 1,6 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, ink, paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/ammar-abo-bakr\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>It's not unusual today for art to travel from the streets into the galleries. But very few artists travel in the opposite direction. Ammar Abo Bakr studied art in Luxor. As the Egyptian revolution 2011 on Tahrir Square took its course, Abo Bakr \u2013 whose motto is \"If you make art, make it public, so that it's close to people's hearts\" \u2013 took his art outside. Graffiti soon became the art of resistance in Egypt. Its motifs included street fighters and portraits of martyrs, but also poetic allegories of hope. These images derived their significance from their existence, their real presence, at the scenes of unrest, and they became an integral part of the events that followed.<br>In the Paradise of the V\u00f6lklingen Ironworks World Heritage Site, Ammar Abo Bakr created the work Happy Yemen in 2015. He was reacting to the military intervention in Yemen of an Arab alliance under the leadership of Saudi Arabia and with Egypt\u2019s participation only a few days earlier. The work was based on a press photo of a little girl who died in this military action.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":21,"title":"5 - Pillippe Baudelocque","title_html":"<span class=\"guide-vpm-small\">5<\/span><span class=\"guide-vpm-zoomed\"> - Pillippe Baudelocque<\/span>","left":"26%","top":"59.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">5<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Genius Generates Gates<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Pillippe Baudelocque<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Beaudeloque__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Beaudeloque\" aria-describedby=\"image-info-3708\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3708\" class=\"image-info-accessibility sr-only\">Beaudeloque\n \n <br>Copyright: Philippe Baudelocque\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Philippe Baudelocque<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Pillippe Baudelocque<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,6 x 34 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Chalk<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/pillippe-baudelocque\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p> <\/p><p>Philippe Baudelocque offers an unusual yet compelling response to the dilemma faced by street art now that it is being appropriated by the art establishment. Like any form of property damage, a certain degree of ephemerality \u2013 or at least unpredictability \u2013 is part and parcel of working in outdoor urban spaces. Artists have reacted to this ephemerality by deploying methods that aim for longevity, such as using automotive paint or engraving subway trains' windows. Nevertheless, artists have to bear in mind that their works may soon be cleaned away or painted over, or even that a wall may be torn down or blocked off from view. Urban-Artists are always aware of the transience of the works they produce. In the protective sphere offered by art collections and institutional exhibitions, however, this element of dynamism disappears. Philippe Baudelocque has developed a simple yet ingenious way of maintaining the tension. He makes site-specific works using one of the least permanent materials imaginable: chalk. The slightest touch or splash of water can destroy parts of his work. But this is what anchors Baudelocque's dreamy, sensitive drawings in the moment, providing receptive viewers with a direct relationship to the here and now.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":72,"title":"7 - Hendrik Beikirch","title_html":"<span class=\"guide-vpm-small\">7<\/span><span class=\"guide-vpm-zoomed\"> - Hendrik Beikirch<\/span>","left":"23%","top":"40.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">7<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Rakouch Timallizene<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Hendrik Beikirch<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Beikirch-R-T__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Beikirch R T\" aria-describedby=\"image-info-3487\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3487\" class=\"image-info-accessibility sr-only\">Beikirch R T\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Hendrik Beikirch<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>4 x 3 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint, spray paint, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/hendrik-beikirch\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In his project <em>Tracing Morocco<\/em>, which Hendrik Beikirch initiated in 2014, the artist portrays people encountered during his numerous visits to the Maghreb. Fascinated by the diversity of Morocco, as well as by the pride and joie de vivre of the country's inhabitants in the face of the oft-harsh living conditions, Beikirch set himself the goal of recording the special aura of the people he has met on the roads of the remote interior and in the mountain villages. With his portraits, he preserves the memory of the people and the handicrafts they practice, which are based on a wealth of knowledge that has been passed down for generations\u2014but which, in this modern world, could soon all be a thing of the past. Beikirch initially produced his portraits in conventional format on canvas during an artist residency at Jardin Rouge, near Marrakech. In 2015, however, he began to render them on urban walls all over the world. And thus Beikirch's tribute to the traditional potter Rakouch Timallizene, who in all probability would have otherwise remained nameless and faceless, is now to be seen at the World Heritage Site V\u00f6lklingen Ironworks.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":20,"title":"8 - Tarek Benaoum","title_html":"<span class=\"guide-vpm-small\">8<\/span><span class=\"guide-vpm-zoomed\"> - Tarek Benaoum<\/span>","left":"28%","top":"51%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">8<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Germinal<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Tarek Benaoum<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tarek-Benaoum__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Tarek Benaoum\" aria-describedby=\"image-info-3498\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3498\" class=\"image-info-accessibility sr-only\">Tarek Benaoum\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Tarek Benaoum<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>4,5 x 6,5 x 6,5 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/tarek-benaoum\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>That many contemporary artists with a background in graffiti writing are strongly inspired by classic calligraphy is hardly surprising. Graffiti writing, with its sweeping constructed pieces, overlapping elements and flourishes can even be classed as a form of this decorative handwriting. Graffiti veteran Nils Meulmann coined the term \"Calligraffiti\" to refer to the hybrid style combining graffiti and calligraphy. Artists with close connections to Persian or Arab traditions seem to have a particular affinity with this artistic writing style. Moroccanborn Parisian Tarek Benaoum \u2013 a former graffiti writer \u2013 is one such artist. Benaoum began experimenting with artistic writing at the age of 14, initially under the alias \"Clone\". Even back in the early stages of his artistic career, Benaoum would often incorporate Gothic script into his pieces. Derived from medieval handwriting styles, Gothic script has a clear connection with calligraphy. Today, this style still serves as a continuous, consistent source of inspiration for Benaoum's art. To achieve his highly decorative look, Benaoum incorporates metallic colors such as gold and silver. An homage to the streets, perhaps.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":18,"title":"13 - Case","title_html":"<span class=\"guide-vpm-small\">13<\/span><span class=\"guide-vpm-zoomed\"> - Case<\/span>","left":"10%","top":"29%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">13<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>The Beekeeper<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Case<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Case-Bee-Keeper_5__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Case Bee Keeper 5\" aria-describedby=\"image-info-3488\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3488\" class=\"image-info-accessibility sr-only\">Case Bee Keeper 5\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Case<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>6 x 12 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/case\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Case, a member of the Frankfurt-based <em>Ma'Claim<\/em> crew who also goes by the name of Andreas von Chrzanowski, is known both for his wall murals and for the panel paintings he creates for the art market. Hailing from East Germany, he began experimenting with the \"forbidden art of the 80s\" (Moses) in 1995. Together with the <em>Ma'Claim<\/em> crew (Case, Akut, Rusk and Tasso), he then developed a technique combining spray painting, as an essential element of Urban Art, with photo collages. The motifs created exhibit a clear affinity with hip-hop culture. The four crew members later all went their own ways \u2013 Case choosing to dedicate himself to classic painting. Albeit using spray paint. Hands tend to be his central motif. In an article for the online market place <em>Widewalls<\/em>, Case is called \"one of the most innovative German street artists\". With his work <em>The Beekeeper<\/em> in the wild landscape garden of the V\u00f6lklingen Ironworks World Heritage Site, created for the Urban Art Biennale 2019, Case wanted to draw attention to colony collapse disorder and to human behavior that is disrespectful of nature.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":23,"title":"14 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">14<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"24%","top":"61%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">14<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Steam Burlesque<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>270 x 125 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Parisian artist Antoine Techenet alias Codex Urbanus has become famous especially for his fantastic animal creatures, which for Urban Art Biennale 2022 he is now bringing to the urban space of V\u00f6lklingen\u2014in the underpass between the World Heritage Site and the train station. In the exhibition area on the grounds of the Ironworks, by contrast, he has designed tongue-in-cheek exclusive film and theater posters for the advertising column at the bottom of the stairs to the Charging Platform. His beasts appear here as well, but the real highlight is that the star of his imaginary film and theater productions is the V\u00f6lklingen Ironworks itself. In the artist\u2019s eyes, its brutish appearance makes it the ideal venue for a horror film, which is why <em>V\u00f6lkzilla<\/em>\u2014a clear reference to the classic monster film <em>Godzilla<\/em>\u2014is wreaking havoc among the smokestacks of V\u00f6lklingen and not, like its role model, among Tokyo\u2019s high-rises. Techenet\u2019s gothic and steampunk socialization is crucial to the fitting optics of the spine-chilling <em>Steam Burlesque<\/em>.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-3__ResizedImageWzYwMCwxNzYxXQ.jpg\" alt=\"\" width=\"600\" height=\"1761\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-2__ResizedImageWzYwMCwxNzYxXQ.jpg\" alt=\"\" width=\"600\" height=\"1761\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-4__ResizedImageWzYwMCwxNzYxXQ.jpg\" alt=\"\" width=\"600\" height=\"1761\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/15\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-exhibititem-221-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-221-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/15\" class=\"exhibit-item-number\">\n <h2>15<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/15\">\n <h3 class=\"exhibit-item-title\">Fig 537: Aristeis Globus<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":52,"title":"15 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">15<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"20%","top":"55%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">15<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fig 537: Aristeis Globus<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, varnish, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In the case Codex Urbanus, the artist\u2019s name and the work are one. Bored with his respectable career, the rock fan Antoine Techenet, born in Paris in 1974 as the son of a pharmacist, began to draw strange beasts. By combining the animals known to science, Codex Urbanus has been creating new species. Because animals need a habitat, he began to let his creatures run wild: on the walls of Montmartre, which has long since been famous as a biotope for beings from the demimonde. Thanks to his good bourgeois education, initially he hesitated to apply the creatures directly as graffiti. He first drew them on ceramic plaques that he then applied. Later, however, he switched to drawing directly on the wall with paints and markers. When the \u201calchemic vandal\u201d releases his creature, he\u2014always the discoverer\u2014gives them an appropriate Latin name. Hence we encounter <em>Suricatta Sepian\u00e6<\/em>, the cuttlefish-meerkat, and <em>Mamothos Araneus<\/em>, a hybrid of mammoth and spider. <br>How do the native creatures react to these invasive species? We consult Codex: \u201cAt first glance, they look disturbing, but my monsters are a lot of fun for children in particular.\u201d Curiosus Homines of all ages now set off on a voyage of discovery in the postindustrial biosphere on the path from the V\u00f6lklingen Ironworks to V\u00f6lklingen City.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanuns-Fig__ResizedImageWzYwMCwzOTdd.-662.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 662: Canis Mechachelodo<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanaus-B51_Globus__ResizedImageWzYwMCw4OTdd.jpg\" alt=\"\" width=\"600\" height=\"897\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Unterfuehrung-2__ResizedImageWzYwMCw0MjJd.jpg\" alt=\"\" width=\"600\" height=\"422\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbananus_Huette__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Fig-574_II__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 574: Chimera Volklingensis<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-exhibititem-220-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-220-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-item-number\">\n <h2>14<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\">\n <h3 class=\"exhibit-item-title\">Steam Burlesque<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":22,"title":"18 - Cranio","title_html":"<span class=\"guide-vpm-small\">18<\/span><span class=\"guide-vpm-zoomed\"> - Cranio<\/span>","left":"23%","top":"57.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">18<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>I Buy Trees<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Cranio<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Cranio_0500__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Cranio 0500\" aria-describedby=\"image-info-3489\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3489\" class=\"image-info-accessibility sr-only\">Cranio 0500\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Cranio<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>220 x 250 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, spray paint, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/cranio\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>As with every self-respecting urban artist, Fabio de Oliveira Parnaiba from S\u00e3o Paulo, Brasil, has turned his nickname into his artist's pseudonym. Cranio means \"skull\", but also \"smart\". Like all the other urban artists from S\u00e3o Paulo worth their name, Cranio has come up with a typical signal colour for his characters. In his case, this colour is blue. Between the yellow of Os G\u00eameos and the green of Finok, he has now created an important niche for himself. He openly admits that he is a great admirer of the aforementioned artists and that they have influenced him greatly. <br>As well as his typical signal colour, the colour blue has a further significance: Cranio uses it to represent the fate of Brazil's indigenous peoples, who he portrays in blue. His images show them in comical situations, most of which involve confrontations with trash products from companies such as McDonald's or Red Bull. Cranio therefore does not shy away from criticizing the same multinational companies other urban artists happily allow their projects to be sponsored by. Cranio\u2019s work <em>I Buy Trees<\/em> at the V\u00f6lklingen Ironworks is a reminder of deforestation in the Amazonian rain forest, which is increasingly destroying the basis for the livelihood of the indigenous people.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":1,"title":"21 - Maxime Drouet","title_html":"<span class=\"guide-vpm-small\">21<\/span><span class=\"guide-vpm-zoomed\"> - Maxime Drouet<\/span>","left":"74%","top":"48.6%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">21<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Vitrail<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Maxime Drouet<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Max_drouet-JD__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Max drouet JD\" aria-describedby=\"image-info-3734\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3734\" class=\"image-info-accessibility sr-only\">Max drouet JD\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Maxime Drouet<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,1 x 23 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/maxime-drouet\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The installation can now only be seen online in the Mediaguide.<\/p><p>In an installation in the Black Room of the Ironworks with reverse glass painting on train windows and doors, as well as video and sound sequences, Maxime Drouet reflects on the historical and cultural foundation of contemporary urban art, which remains current in the present day: graffiti on trains. Developed and perfected by often underprivileged young New Yorkers on subway cars until around the mid-1980s, graffiti then spread worldwide as the globe\u2019s most significant visual sub- and counterculture. Drouet\u2019s artistic development also passed through the school of this \u201ctrain bombing.\u201d He has recognized what is important in transporting graffiti into the exhibition space. He abstracts and translates the experience, as controversial as it is sublime, of being confronted with an oversized, illegally painted, rolling wall of paint that suddenly pulls in and \u2013 according to writer and director Norman Mailer \u2013 \u201cbrightens the place like a bouquet from Latin American.\u201d Drouet says he roams train graveyards \u201clike a ghost,\u201d trying to revive what he loved. Here he captures \u201cthe last moments of trains, when their mechanical souls unite with and extinguish their last colorful tributes.\u201d <\/p><p>Sound: DJ Pone<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":28,"title":"24 - Frukty ","title_html":"<span class=\"guide-vpm-small\">24<\/span><span class=\"guide-vpm-zoomed\"> - Frukty <\/span>","left":"69%","top":"67%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">24<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>It's all right<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Frukty <\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Frukty-Handwerkergasse__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Frukty Handwerkergasse\" aria-describedby=\"image-info-3904\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3904\" class=\"image-info-accessibility sr-only\">Frukty Handwerkergasse\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Frukty <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 120 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper, glas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/public\/en\/mediaguide\/artists\/info\/frukty\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/public\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>On the preexisting pattern of a sixteen-part, metal-frame window on the Handwerkergasse (Artisans\u2019 Alley) of the V\u00f6lklingen Ironworks, the Russian collective Frukty placed its in-situ work <em>It\u2019s all right<\/em> in the form of a classic fifteen puzzle. Invented in the United States at the end of the nineteenth century, this puzzle has preoccupied both the human urge to play and to pursue mathematics ever since. Frukty has visually dissected the calming message of the title, \u201cIt\u2019s all right,\u201d according the principle of the game, resulting in disturbing unfamiliarity. Things have gotten mixed up here, and so the whole world situation in 2022 appears to be reflected in these inconspicuous window tiles. Frukty adopts a popular phenomenon in the form of this puzzle, connects it to the repurposing of the original site-specific architectural structures, and at the same time semantically and visually raises the question whether everything is truly all right, thereby demonstrating the collective\u2019s masterly approach to the techniques of urban art. Nevertheless, it leaves open a question that can rarely be answered at first glance: Can the problem be solved at all? And if so, will everything them be \u201call right\u201d (again)?<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Frukty <\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/public\/en\/mediaguide\/exhibits\/exponate\/23\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Frukty-Hauswand-dramatisch__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Frukty Hauswand dramatisch\" aria-describedby=\"image-info-exhibititem-277-3919\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-277-3919\" class=\"image-info-accessibility sr-only\">Frukty Hauswand dramatisch\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/public\/en\/mediaguide\/exhibits\/exponate\/23\" class=\"exhibit-item-number\">\n <h2>23<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/public\/en\/mediaguide\/exhibits\/exponate\/23\">\n <h3 class=\"exhibit-item-title\">Bilder-W\u00f6rterbuch <\/h3>\n \n <p class=\"exhibit-artist\">Frukty <\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/public\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":69,"title":"27","title_html":"<span class=\"guide-vpm-small\">27<\/span>","left":"69.5%","top":"45.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">27<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Golden Pyramid<\/h1>\n \n\t\t\t\t\t\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Icy-Sot__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Icy Sot\" aria-describedby=\"image-info-3905\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3905\" class=\"image-info-accessibility sr-only\">Icy Sot\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,5 x 4,1 x 3,8 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Holz, Kunstoff<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The brothers Icy & Sot, who now reside in New York, began with street art in their native Tehran around 2006, initially inspired by skating. They took their first steps in this art form with stickers and stencils; this kind of art was not widespread in Iran at the time, and its characterization as dissident activity meant that it was dangerous for artists to carry out such work. Soon they expanded their practice to include the genres for which they are known today: urban sculpture and installation. Traditional historiography usually only remembers the names of rulers and leaders, be they pharaohs or industrial barons. But these did not move stones or smelt ore; instead, they often exploited those who brought them success and prosperity through hard physical labor: countless nameless workers. The imposing <em>Golden Pyramid<\/em> that Icy & Sot have erected on the roof of the V\u00f6lklingen Ironworks is conceived as an \u201code to the workers of all times.\u201d Are there any pitfalls lurking in this pyramid? You should at least reckon with mental ones.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":2,"title":"31 - Lek & Sowat","title_html":"<span class=\"guide-vpm-small\">31<\/span><span class=\"guide-vpm-zoomed\"> - Lek & Sowat<\/span>","left":"66%","top":"48%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">31<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Quetzalcoatl<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Lek & Sowat<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat_Quetzacoatl__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Lek Sowat Quetzacoatl\" aria-describedby=\"image-info-3841\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3841\" class=\"image-info-accessibility sr-only\">Lek Sowat Quetzacoatl\n \n <br>Copyright: Lek & Sowat\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Lek & Sowat<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Lek & Sowat<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>5,1 x 13 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, glass<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/lek-and-sowat\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The French duo Lek & Sowat has left impressive artistic traces not only in V\u00f6lklingen\u2019s urban space, but also on the grounds of the World Cultural Heritage Site. For example, the two have mounted their work <em>Quetzalcoatl<\/em>, named after the feathered Aztec creator deity in snake form, on the glass front of the Ironworks. If you look closely, you can recognize the names of the protagonists of the Urban Art Biennale 2022 in exotic handwriting between the serpentine lines. Also to be discovered on the grounds of the V\u00f6lklingen Ironworks: Lek & Sowat\u2019s collaborative works with their artist colleagues Katre, Obsolettrismes and Sethone on the roof of the Ironworks and on the wheelhouse near the Ferrodrome.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Lek & Sowat<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/30\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat-Unterfuehrung_einfahrt__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek Sowat Unterfuehrung einfahrt\" aria-describedby=\"image-info-exhibititem-236-3847\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-236-3847\" class=\"image-info-accessibility sr-only\">Lek Sowat Unterfuehrung einfahrt\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/30\" class=\"exhibit-item-number\">\n <h2>30<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/30\">\n <h3 class=\"exhibit-item-title\">May the Bridges I Burn Light the Way<\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek-_u_Sowat_Erzhalle__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek u Sowat Erzhalle\" aria-describedby=\"image-info-exhibititem-238-3912\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-238-3912\" class=\"image-info-accessibility sr-only\">Lek u Sowat Erzhalle\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\" class=\"exhibit-item-number\">\n <h2>32<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\">\n <h3 class=\"exhibit-item-title\">Ohne Titel <\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat, Seth One, Katre, Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat_Steuerhaus__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek Sowat Steuerhaus\" aria-describedby=\"image-info-exhibititem-239-3913\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-239-3913\" class=\"image-info-accessibility sr-only\">Lek Sowat Steuerhaus\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\" class=\"exhibit-item-number\">\n <h2>33<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\">\n <h3 class=\"exhibit-item-title\">Ohne Titel <\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat, Seth One, Katre, Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":9,"title":"34 - Levalet","title_html":"<span class=\"guide-vpm-small\">34<\/span><span class=\"guide-vpm-zoomed\"> - Levalet<\/span>","left":"26.5%","top":"43%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">34<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Le retour du refoul\u00e9<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Levalet<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/LeValet-_2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"LeValet 2\" aria-describedby=\"image-info-3741\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3741\" class=\"image-info-accessibility sr-only\">LeValet 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Levalet<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>200 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Ink, paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/levalet\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The paintings of Charles Leval, aka Levalet, are all about the human form and the various ways it interacts with its surroundings. In terms of composition, his ideas are very similar to those of stencil artists such as Banksy or Blek le Rat. But they contain less social commentary and therefore seem more playful. Where Levalet differs considerably from such figures is in the fact that he is not a stencil artist. His highly realistic black and white figures have all been applied to paper by hand, and then pasted onto surfaces. This meticulous manual aspect sets his works apart in the crowded world of street art. <em>Le retour du refoul\u00e9<\/em> (<em>The Return of the Repressed)<\/em> is both the title of Levalet\u2019s in situ work at the V\u00f6lklingen Ironworks World Cultural Heritage Site, and a psychoanalytical term coined by Sigmund Freud. Like repressed experiences or feelings that suddenly shoot back into consciousness, the crows seem to haunt the disembodied worker in a Hitchcock-like manner.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Levalet_Plan-Social__ResizedImageWzYwMCwzOTdd.gif\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Plan social<br>2017, in situ <br>Ink, paper<br>190 x 600 cm<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":73,"title":"34 - Levalet","title_html":"<span class=\"guide-vpm-small\">34<\/span><span class=\"guide-vpm-zoomed\"> - Levalet<\/span>","left":"22%","top":"37%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">34<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Le retour du refoul\u00e9<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Levalet<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/LeValet-_2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"LeValet 2\" aria-describedby=\"image-info-3741\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3741\" class=\"image-info-accessibility sr-only\">LeValet 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Levalet<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>200 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Ink, paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/levalet\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The paintings of Charles Leval, aka Levalet, are all about the human form and the various ways it interacts with its surroundings. In terms of composition, his ideas are very similar to those of stencil artists such as Banksy or Blek le Rat. But they contain less social commentary and therefore seem more playful. Where Levalet differs considerably from such figures is in the fact that he is not a stencil artist. His highly realistic black and white figures have all been applied to paper by hand, and then pasted onto surfaces. This meticulous manual aspect sets his works apart in the crowded world of street art. <em>Le retour du refoul\u00e9<\/em> (<em>The Return of the Repressed)<\/em> is both the title of Levalet\u2019s in situ work at the V\u00f6lklingen Ironworks World Cultural Heritage Site, and a psychoanalytical term coined by Sigmund Freud. Like repressed experiences or feelings that suddenly shoot back into consciousness, the crows seem to haunt the disembodied worker in a Hitchcock-like manner.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Levalet_Plan-Social__ResizedImageWzYwMCwzOTdd.gif\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Plan social<br>2017, in situ <br>Ink, paper<br>190 x 600 cm<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":74,"title":"34 - Levalet","title_html":"<span class=\"guide-vpm-small\">34<\/span><span class=\"guide-vpm-zoomed\"> - Levalet<\/span>","left":"7%","top":"24%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">34<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Le retour du refoul\u00e9<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Levalet<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/LeValet-_2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"LeValet 2\" aria-describedby=\"image-info-3741\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3741\" class=\"image-info-accessibility sr-only\">LeValet 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Levalet<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>200 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Ink, paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/levalet\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The paintings of Charles Leval, aka Levalet, are all about the human form and the various ways it interacts with its surroundings. In terms of composition, his ideas are very similar to those of stencil artists such as Banksy or Blek le Rat. But they contain less social commentary and therefore seem more playful. Where Levalet differs considerably from such figures is in the fact that he is not a stencil artist. His highly realistic black and white figures have all been applied to paper by hand, and then pasted onto surfaces. This meticulous manual aspect sets his works apart in the crowded world of street art. <em>Le retour du refoul\u00e9<\/em> (<em>The Return of the Repressed)<\/em> is both the title of Levalet\u2019s in situ work at the V\u00f6lklingen Ironworks World Cultural Heritage Site, and a psychoanalytical term coined by Sigmund Freud. Like repressed experiences or feelings that suddenly shoot back into consciousness, the crows seem to haunt the disembodied worker in a Hitchcock-like manner.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Levalet_Plan-Social__ResizedImageWzYwMCwzOTdd.gif\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Plan social<br>2017, in situ <br>Ink, paper<br>190 x 600 cm<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":6,"title":"35 - M. Chat","title_html":"<span class=\"guide-vpm-small\">35<\/span><span class=\"guide-vpm-zoomed\"> - M. Chat<\/span>","left":"32%","top":"57%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">35<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Push the Button <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">M. Chat<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/M__ScaleMaxWidthWzE2MDBd.Chat.jpg\" alt=\"M.Chat\" aria-describedby=\"image-info-3494\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3494\" class=\"image-info-accessibility sr-only\">M.Chat\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>M. Chat<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>210 x 140 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/m-chat\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The hot cat on the tin roof. A cheeky grinning yellow street cat has quite deservedly become an urban cult figure. The favorite stomping ground of this likeable animal are crazy spots above the rooftops of the city. People ask themselves in wonder: How could the painter get up there at all? But this is precisely the materialized mystery, the proof that the supposedly impossible is possible, the forbidden yet feasible. The key to understanding graffiti. Monsieur Chat \u2013 does the name refer only to the cat itself or also to its creator? Probably both. Thoma Vuille, as the artist behind the cat is officially known, began painting the figure on walls uninvited in 1997. The cat first appeared in Orl\u00e9ans, then haunted the capital of Paris and has since then been spotted in world metropolises from New York to Tokyo, as well as in Africa or the Balkans. Since 2015, it has also been grinning at visitors to the V\u00f6lklingen Ironworks.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":17,"title":"36 - Mambo","title_html":"<span class=\"guide-vpm-small\">36<\/span><span class=\"guide-vpm-zoomed\"> - Mambo<\/span>","left":"13%","top":"25%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">36<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Edmond se d\u00e9tend<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mambo<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Mambo__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Mambo\" aria-describedby=\"image-info-3709\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3709\" class=\"image-info-accessibility sr-only\">Mambo\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mambo<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p> Height 6 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mambo\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Born and raised in Chile, Flavien Demarigny only became the street artist and painter Mambo during his career as a graphic designer in Paris. He is now represented at galleries from L.A. to Zurich and describes his works as \"visual puzzles\". Back in the 1990s, he collaborated with several Paris-based street art collectives, including \"Force Alphab\u00e9tique\" and \"9\u00e8me concept\". Mambo's earlier works, such as his <em>Brainology<\/em> series, were highly influenced by graffiti style, featuring outlined, moving elements intertwined to create typelike structures and wall-filling patterns. He continued this series with his work at the V\u00f6lklingen Ironworks World Cultural Heritage Site in 2019. According to Mambo, it is about \u201cillustrations of the brain,\u201d and the piece captures his \u201cemotional dynamics\u201d at the time. The work holds special significance for the artist, as his great-grandfather built brick chimneys for factories in France over 150 years ago. Putting his composition in a similar chimney created a strong sense of connection to his ancestor.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":16,"title":"37 - Mardi Noir","title_html":"<span class=\"guide-vpm-small\">37<\/span><span class=\"guide-vpm-zoomed\"> - Mardi Noir<\/span>","left":"11.5%","top":"22%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">37<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Achtung, Achtung!<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mardi Noir<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Mardi-Noir_1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Mardi Noir 1\" aria-describedby=\"image-info-3710\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3710\" class=\"image-info-accessibility sr-only\">Mardi Noir 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mardi Noir<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>1,7 x 3,9 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Papier<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mardi-noir\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Typical for the Breton Arzhel Prioul, aka Mardi Noir, is that he takes pictograms as a starting point for his works. Like an accumulation of weathered old notices, his work announces the transience of all authority, as does his paper collage <em>Achtung, Achtung! (Attention, Attention!)<\/em>, which was created for the 2019 edition of the Urban Art Biennale in V\u00f6lklingen. He often uses a projector technique, which makes the roughly upscaled results look uneven and pixelated \u2013 but that is intentional.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":19,"title":"38 - Mentalgassi","title_html":"<span class=\"guide-vpm-small\">38<\/span><span class=\"guide-vpm-zoomed\"> - Mentalgassi<\/span>","left":"13%","top":"41%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">38<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Jeanette & Hendrik <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Mentalgassi<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Mentalgassi-Tank__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Mentalgassi Tank\" aria-describedby=\"image-info-3711\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3711\" class=\"image-info-accessibility sr-only\">Mentalgassi Tank\n \n <br>Copyright: Mentalgassi\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Mentalgassi<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Mentalgassi<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>Height 10 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mentalgassi\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Berlin-based street art trio Mentalgassi explores the use of \"trompe l'oeil\" photography \u2013 whereby you see what your mind tells you to, not what is actually there \u2013 in public areas, inviting passers-by to let their thoughts run free. Indeed, the concept of letting your mind wander is what gave rise to the trio's name (Mentalgassi translates as mental walkies). Mentalgassi's friendship goes back to when they were all graffiti writers. When a brush with the law cut short their spraypainting careers, they began to rethink their approach and pursue new ways of living out their creativity. The products of this change of course can today be found stuck to all types of street furniture, including bottle banks, lampposts and railings. Mentalgassi regularly incorporate elements of political activism into their works, most recently in pictorial shows of solidarity with Fatima Hussein Badi, victim of the Yemeni justice system, and with well-known Russian dissenters Pussy Riot. They showed their humorous side in 2019 when they pasted grimacing faces of members of the World Heritage team on the industrial architecture of the V\u00f6lklingen Ironworks.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":14,"title":"42 - Mosco","title_html":"<span class=\"guide-vpm-small\">42<\/span><span class=\"guide-vpm-zoomed\"> - Mosco<\/span>","left":"11%","top":"11%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">42<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Panth\u00e8re dans la r\u00e9serve du poisson noir<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Mosco<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Mosko-leo__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Mosko leo\" aria-describedby=\"image-info-3502\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3502\" class=\"image-info-accessibility sr-only\">Mosko leo\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Mosco<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 180 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mosco\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Here in \"Paradise,\" the landscape garden of the World Cultural Heritage Site V\u00f6lklingen Ironworks, it is particularly wild. Flora and fauna have long since retaken their terrain: a large feline predator lies in wait for visitors in the preserve of the black fish, which is said to have been spotted here in the former tar basin. The panther is by the Parisian artist Mosko, who is known for unexpectedly confronting city inhabitants, ensconced within their familiar urban habitat, with creatures of the wild: A leopard creeps through a side street, a giraffe stretches its neck up toward a first-floor window, a group of frisky zebras frolic next to the metro stairs. On second glance, we recognize that these exotic animals are in fact graffiti art, created using the stenciled style known as pochoir in France. Painstakingly created in vibrant colors, the animals are highly realistic representations of their real-life role models. Mosko turn the streets into \"Savanes Urbaines\". <br>And indeed, the city is like a jungle sometimes \u2026 Thanks to the conceptual simplicity of these creations combined with the high level of artistic skill that has gone into them, the pieces tend to be very positively received by the public. Art critics can give free rein to their interpretative tendencies and ascribe to the pieces all manner of deeper connotations, while children will simply<\/p><p>delight in the surprising encounter.<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":10,"title":"47 - Dan Rawlings","title_html":"<span class=\"guide-vpm-small\">47<\/span><span class=\"guide-vpm-zoomed\"> - Dan Rawlings<\/span>","left":"24.5%","top":"27.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">47<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Joyride<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Dan Rawlings<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Dan-Rawlings-Joyride1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Dan Rawlings Joyride1\" aria-describedby=\"image-info-3490\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3490\" class=\"image-info-accessibility sr-only\">Dan Rawlings Joyride1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Dan Rawlings<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>150 x 420 x 180 cm<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Owner<\/h3>\n <p>Courtesy Galerie Openspace, Paris<\/p>\n <\/div>\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/dan-rawlings\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Dan Rawlings works with industrial and cultural relics, transforming them into intricate fretwork. Through this arduous, complex process, the Gloucestershire-born artist brings poetry back to the ruins of the profane. This approach \u2013 one that has much in common with artistic vandalism \u2013 creates beauty from destruction. As Rawlings himself explains, he is inspired by \"a sympathy for unloved and forgotten relics and a fascination with nature's resilience\". His artwork, in the form of the piece <em>Joyride<\/em>, has found an eminently suitable environment in the natural landscape garden of the V\u00f6lklingen Ironworks. Here, too, nature is reconquering, to an ever-greater extent, that which was created and shaped by man. The wounds that the \"hellish\" work once tore in the former coking plant are healing again. Birch trees sprout amidst the rusted facilities, creepers entwine the massive pipes. Wild boars and foxes have also been spotted here. All of which is surely very much in accordance to Dan Rawling's sensibilities!<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":27,"title":"48 - RERO ","title_html":"<span class=\"guide-vpm-small\">48<\/span><span class=\"guide-vpm-zoomed\"> - RERO <\/span>","left":"59%","top":"68%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">48<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>HELL-O-WORLD<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> RERO <\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Rero-Hell-O-World_Oliver-Dietze__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Rero Hell O World Oliver Dietze\" aria-describedby=\"image-info-3857\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3857\" class=\"image-info-accessibility sr-only\">Rero Hell O World Oliver Dietze\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> RERO <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>7,5 x 125 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, steel<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/rero\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The work of the French artist Rero is an amalgamation of urban art and conceptual art. With his always-the-same and lined-through unembellished font, he has developed a distinctive logoistic style. In this, he agitates closer, conceptually, to the \"Everybody's got their own arrow\" of the scriptural than to the orthodoxy of conceptual art. Then again, with the latter he is wed through his focus on word and thought games, or, as he himself says, with: \"Punchlines and aphorisms, the betrayal of images, fragments of contradictions of our time, and the fascinatingly rich radiance of contemporary, transgressive poetry.\" With <em>HELL-O-WORLD<\/em>, the artist makes reference to the \"hellish\" work that was once conducted at the V\u00f6lklingen Ironworks as well as to the world situation in 2022. The piece becomes even more ambivalent in view of the corporate identity claim of the World Cultural Heritage Site V\u00f6lklingen Ironworks to the phrase \"Hello World\"\u2014which, however, was unknown to the artist during conceptualization.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":24,"title":"49 - Daan Rietbergen","title_html":"<span class=\"guide-vpm-small\">49<\/span><span class=\"guide-vpm-zoomed\"> - Daan Rietbergen<\/span>","left":"37%","top":"69%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">49<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Unseen <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Daan Rietbergen<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Rietbergen_Daan_Unseen__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Rietbergen Daan Unseen\" aria-describedby=\"image-info-3842\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3842\" class=\"image-info-accessibility sr-only\">Rietbergen Daan Unseen\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Daan Rietbergen<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,1 x 6 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, steel<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/daan-rietbergen\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Utrecht-based artist and graphic designer Daan Rietbergen is committed to artistic exploration at the interface of typography, architecture, and public space. If this combination sounds familiar to you, you are already on the right track: Rietbergen's early roots in graffiti remain resonant. His work takes up the principle of artisanal creation of insignia in the street context: the oversized, at times aggressive typographic forms exercise an alienating effect in the urban space\u2014a quality that can hardly be achieved with typography on the screen or in print formats. His focus therein is no longer only on simple marking and presence through quantity, which he achieved as a teenager with tags, but on characters as a formal discipline. Rietbergen's symbols are largely isolated from semantics, focusing instead on the visual dialogue with the given spatial and social urban setting. Rietbergen has mounted his work Unseen, consisting of massive black letters from his bar-based typographic system <em>Rosdar<\/em>, on the gray garage doors under the turnout track. That which is suggestive of kanji writing by Frank Stella\u2014placed in an industrial structural setting like his classic pieces\u2014is also part of a specific graffiti tradition of the Netherlands, which is famous for its design culture: modernist-inspired, continued development of the written typeface.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":4,"title":"50 - Roadsworth","title_html":"<span class=\"guide-vpm-small\">50<\/span><span class=\"guide-vpm-zoomed\"> - Roadsworth<\/span>","left":"50%","top":"57.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">50<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Defund the War Machine <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Roadsworth<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Roadsworth_Copyrigt-Markus-Trennheuser__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Roadsworth Copyrigt Markus Trennheuser\" aria-describedby=\"image-info-3505\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3505\" class=\"image-info-accessibility sr-only\">Roadsworth Copyrigt Markus Trennheuser\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Markus Trennheuser\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Markus Trennheuser<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Roadsworth<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>35 x 95 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paint, bitumen <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/roadsworth\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Peter Gibson, as his pseudonym Roadsworth infers, is known for his work on the asphalt surfaces of roads. In addition to animal depictions and floral designs, he often works with preexisting urban semiotic systems such as street markings and typography. At V\u00f6lklingen, the playing surface for Roadsworth's experimental typography, which he applied with a paint roller, is located on the roof of the M\u00f6llerhalle [burden shed]. There, using a self-designed font, the Montreal artist has affixed the intentionally difficult-to-read slogan <em>Defund the War Machine<\/em>. <br>Double-mirrored across the two flat edges of the ridged roof, the slogan is his reckoning with the military-industrial complex. An anachronistic \"appeal for the redistribution of the bloated military budgets to more necessary areas, and to address the more-pressing challenges facing humanity.\" The message\u2014cryptic, large-scale and, aside from the charging platform, only visible from a bird's-eye view\u2014is perhaps addressed to higher powers or extraterrestrial observers, for Roadsworth has little hope for the insight of the powerful. But who knows\u2014maybe the message will reach them via satellite reconnaissance.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":70,"title":"54 - SpY","title_html":"<span class=\"guide-vpm-small\">54<\/span><span class=\"guide-vpm-zoomed\"> - SpY<\/span>","left":"66%","top":"64%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">54<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>CCTV<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> SpY<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/spy_cctv_2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"spy cctv 2\" aria-describedby=\"image-info-3496\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3496\" class=\"image-info-accessibility sr-only\">spy cctv 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> SpY<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>Diameter ca. 8 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/spy\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>SpY, from Madrid, has been an urban interventionist since he, as part of the first generation of European graffiti writers, began artistically appropriating urban spaces in the 1980s. In the 2010s, he gained notice with, among other things, conceptual inscriptions of lone, evocative words in bold san serif typeface traversing entire buildings\u2014as in, for example, Stavanger or Bilbao. Other projects include the wrapping of police cars with foil and barrier tape and, in 2019, employing pyrotechnics to enable red smoke to rise from a chimney at the World Heritage Site V\u00f6lklinger H\u00fctte. SpY's installation CCTV, created that same year for the Urban Art Biennale, appears to hail from a dystopia. Big Brother is watching you! The overwhelming quantity of fake surveillance cameras seems exaggerated, but the question does arise as to whether the public video surveillance of today has not long since assumed similarly alarming proportions\u2014albeit less blatantly obvious. With his circular formation of cameras, SpY gives countenance to the underlying threat that comes with the restriction of personal freedom for the sake of supposedly increased security. At what point does crime prevention turn into an encroachment and a totalitarian demand for control?<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":15,"title":"55 - Tanc","title_html":"<span class=\"guide-vpm-small\">55<\/span><span class=\"guide-vpm-zoomed\"> - Tanc<\/span>","left":"10.5%","top":"19%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">55<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>V\u00f6lklingen Sunrise <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Tanc<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tanc_merkel__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Tanc merkel\" aria-describedby=\"image-info-3864\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3864\" class=\"image-info-accessibility sr-only\">Tanc merkel\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Tanc<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,7 x 4,8 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/tanc\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Tancr\u00e8de Perrot, better known as Tanc, laid the foundation of his artistic career during the 1990s in the Parisian graffiti scene. Around the turn of the millennium, he turned his focus to working on canvas in the studio. He attaches great importance, as a writer, to being an artist, and, as an artist, to being a writer. Sometimes the link between the contrasts is self-evident, and a dripping, fully inscribed canvas transmogrifies into a work of Abstract Expressionism. But that is less wizardry than the adroit excavation of subliminal, forever inherent similarities. When creating his works, Tanc abandons himself fully to the creative situation, absorbing vibrations and acting as their seismograph\u2014spontaneity and emotion paired with abstraction and fragmentation determine his style. For the Urban Art Biennale in 2017, Tanc transfigured a wall at V\u00f6lklinger H\u00fctte with the in-situ work, <em>V\u00f6lklingen Sunrise<\/em>, in which he captured his morning mood during a visit to the industrial city.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":5,"title":"56 - Mathieu Tremblin","title_html":"<span class=\"guide-vpm-small\">56<\/span><span class=\"guide-vpm-zoomed\"> - Mathieu Tremblin<\/span>","left":"33%","top":"63%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">56<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>La fum\u00e9e<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mathieu Tremblin<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-_la-fume__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Tremblin la fume\" aria-describedby=\"image-info-3898\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3898\" class=\"image-info-accessibility sr-only\">Tremblin la fume\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mathieu Tremblin<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>Height 95 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Brick, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mathieu-tremblin\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In <em>La fum\u00e9e<\/em> [\"Smoke\"], as is often the case in Mathieu Tremblin's extraordinarily eclectic, conceptually oriented street art, the artist merges location, formalism, and socio-political commentary. The brick chimney in miniature is modeled after the huge smokestack of the blast furnaces of the V\u00f6lklinger H\u00fctte World Heritage Site. At the top of the miniature chimney, whence smoke should rise, smoke does rise\u2014but not quite as anticipated and only when the intended interaction with the visitors takes place. Those who look closely will recognize, at the top of the smokestack, small notches like those familiar from ashtrays. And with them, the shared act of \"smoking\" to which the artist winkingly refers takes on a social and political dimension. \"Within the context of the 'Uber-ization' of employment relationships, the cigarette break seems to be the last shared moment together that workers have left to talk about their alienated situation,\" says Tremblin. Therefore, and as is appropriate, the sculpture stands inside a shelter that was formerly used by the V\u00f6lklinger H\u00fctte steelworkers for smoking breaks.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Mathieu Tremblin<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/57\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-2__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Tremblin 2\" aria-describedby=\"image-info-exhibititem-261-3900\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-261-3900\" class=\"image-info-accessibility sr-only\">Tremblin 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/57\" class=\"exhibit-item-number\">\n <h2>57<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/57\">\n <h3 class=\"exhibit-item-title\">Tautological Propaganda<\/h3>\n \n <p class=\"exhibit-artist\">Mathieu Tremblin<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":71,"title":"57 - Mathieu Tremblin","title_html":"<span class=\"guide-vpm-small\">57<\/span><span class=\"guide-vpm-zoomed\"> - Mathieu Tremblin<\/span>","left":"40%","top":"65%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">57<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Tautological Propaganda<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mathieu Tremblin<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Tremblin 2\" aria-describedby=\"image-info-3900\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3900\" class=\"image-info-accessibility sr-only\">Tremblin 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mathieu Tremblin<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,7 x 14 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mathieu-tremblin\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Strasbourg-based artist Mathieu Tremblin can be described, without exaggeration, as a master of urban conceptualism\u2014providing the designation is permitted to encompass playful visuality and, for all the heterogeneity, biting commentary. The creator of <em>Tag Clouds<\/em>, which went viral on the net, has a penchant for confronting the supposed certainties of the in-scene and society. \"French Street-art Artist Finally Makes Graffiti Legible,\" read <em>Musikexpress's<\/em> headline in regard to his famous project. With artists like Tremblin, graffiti and street art have entered an era of self-reflection. Tremblin's work <em>Tautological Propaganda<\/em> adroitly disassembles the fashion-brand trivialization and commercialization of the artwork of the street artist Shepard Fairey, who is internationally renowned above all for his iconic Obama poster. Fairey helped himself to quotes from John Carpenter's capitalism-critical cult film <em>They Live!<\/em> (1988) when creating a critical image for his Obey campaign, which Fairey then subsequently evolved into his fashion brand, Obey Clothing. Tremblin, also with reference to Carpenter's film, turns his attention to the consumers of Fairey's clothing and, by feeding their social media posts through a 'sunglasses filter,' makes the true capitalist face visible\u2014in this case, that of purchasable urban art styles.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-1-v2__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Tautological Propaganda <br>2022, in situ<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":13,"title":"58 - VHILS","title_html":"<span class=\"guide-vpm-small\">58<\/span><span class=\"guide-vpm-zoomed\"> - VHILS<\/span>","left":"15.5%","top":"11.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">58<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Scratching the Surface Project<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> VHILS<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/VHILS-Scrached__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"VHILS Scrached\" aria-describedby=\"image-info-3499\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3499\" class=\"image-info-accessibility sr-only\">VHILS Scrached\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> VHILS<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2013, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>4,5 x 5,5 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/vhils\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Lisbon-based artist Vhils has pioneered an interesting technique within the world of contemporary urban art, one so obvious it is remarkable no one came up with it sooner. To create his works, he makes use of the various materials concealed under the plaster; of the colours that come forth at different depths. That is to say: Vhils removes layers of material \u2013 sometimes by conventional means such as scraping and chiselling, sometimes by the more spectacular method of controlled blasting. While Vhil's wall-adorning technique may be highly unusual, the works he creates are very much in keeping with a specific graffiti style. His motifs are oversized, graphically realistic faces wearing serious expressions, portrayed either staring piercingly at or looking right through the viewer. While some of his subjects are well-known figures from contemporary history, most of them are normal everyday people. By selecting such simple, easily accessible motifs, Vhils underscores the material complexity of his pieces; the multi-layered nature of the walls into which they are etched.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":25,"title":"63 - Wayne Horse","title_html":"<span class=\"guide-vpm-small\">63<\/span><span class=\"guide-vpm-zoomed\"> - Wayne Horse<\/span>","left":"40%","top":"73%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">63<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Hochofen der Gef\u00fchle <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Wayne Horse<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Wayne-Horse__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Wayne Horse\" aria-describedby=\"image-info-4143\">\n <div class=\"image-info\">\n \n <p id=\"image-info-4143\" class=\"image-info-accessibility sr-only\">Wayne Horse\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Wayne Horse<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,7 x 8 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/wayne-horse\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Socially shaped by skateboarding and graffiti, Wayne Horse, civilly known as Willehad Eilers, honed his drawing talents at the celebrated Dutch State Academy of Fine Arts, among other places. In his Amsterdam studio, he consciously accepts the loss of control when working. In terms of method, this is done, for example, through the consumption of intoxicating amounts of absinthe or painting blindfolded; in terms of content, through his oft grotesquely coarse party scenes which resonate with a good portion of social criticism as well as life on the edge \u00e0 la 1920s' Berlin\u2014Otto Dix and George Grosz say hello! Eilers's approach engenders his works with a vitality that is otherwise difficult to attain. That here and there facial features slip, or that on occasion a hand does not exactly stay where it belongs, is without doubt advantageous to a ballroom scene. The approach taken by the artist to the mural format on the fa\u00e7ade at the Handwerkergasse entrance to the V\u00f6lklingen Ironworks is that of a large-scale, gestural drawing in black on red\u2014with an unfettered line and a graphically effective placement of flat surfaces. According to Eilers, <em>Hochofen der Gef\u00fchle<\/em> [\"Blast Furnace of Emotions\"] is a visualization of an extravagant, \"posh party\" of the industrial tycoons situated in a location that is historically and closely linked to the \"rough working-class milieu.\"<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":7,"title":"65 - Wild Drawing","title_html":"<span class=\"guide-vpm-small\">65<\/span><span class=\"guide-vpm-zoomed\"> - Wild Drawing<\/span>","left":"29.5%","top":"54%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">65<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Four (Burnt) Seasons <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Wild Drawing<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/WildDrawing-autumn__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"WildDrawing autumn\" aria-describedby=\"image-info-3866\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3866\" class=\"image-info-accessibility sr-only\">WildDrawing autumn\n \n <br>Copyright: Wild Drawing \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Wild Drawing <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Wild Drawing<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>150 x 110 cm each<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/wild-drawing\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>As a muralist, WD, who comes from Bali, continues the long tradition of trompe l'oeil fa\u00e7ade painting. His technique is comparable to that used by the Renaissance masters on the ceiling of the Sistine Chapel: illusionistic depth, protuberances, overlaps, as well as apocryphal fantasy and architectural elements set the stage for the figurative protagonists\u2014always in close interplay with the actual structures of the buildings painted upon. As a result, with WD, even unspectacular everyday architecture suddenly transmogrifies into a visual highlight, even if usually only from a specific perspective and, of course, on the photos of the works distributed online. Within his pictorial worlds, WD negotiates betwixt academic painting and urban art, merging influences spanning from the Renaissance to the graphic novel. The in-situ work <em>Four (Burnt) Seasons<\/em> by the \"Athenian by choice,\" located in the former coking plant of the V\u00f6lklingen Ironworks, denounces the ongoing profit-driven destruction of the environment and looks back upon the role that the burning of fossil fuels plays in global warming.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/WildDrawing-summer__ResizedImageWzYwMCw2MDBd.jpg\" alt=\"\" width=\"600\" height=\"600\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Summer<br>2022, in situ<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/WildDrawing-autumn__ResizedImageWzYwMCw2MDBd.jpg\" alt=\"\" width=\"600\" height=\"600\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Autumn<br>2022, in situ<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/WildDrawing_winter__ResizedImageWzYwMCw2MDBd.jpg\" alt=\"\" width=\"600\" height=\"600\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Winter<br>2022, in situ <br><br><\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":11,"title":"66 - YZ","title_html":"<span class=\"guide-vpm-small\">66<\/span><span class=\"guide-vpm-zoomed\"> - YZ<\/span>","left":"19%","top":"24%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">66<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Chrystal<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> YZ<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/YZ_Chrystal2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"YZ Chrystal2\" aria-describedby=\"image-info-3500\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3500\" class=\"image-info-accessibility sr-only\">YZ Chrystal2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> YZ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2015, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>6 x 1,6 m each<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, silk paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/yz\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>YZ, ein merkw\u00fcrdiges Pseudonym, aber so ungew\u00f6hnlich auch wieder nicht, in einem Land, wo andere bekannte K\u00fcnstler sich nur JR oder C215 nennen. Es sind jedoch nicht ihre Initialen, die die K\u00fcnstlerin Yseult Digan nutzt, sondern eine Kurzform, die phonetisch an \"Eyes\" \u2013 Augen \u2013 erinnern soll, und damit auch an Digans erstes gro\u00dfes Street Art-Projekt. Unter dem Titel \"Open your eyes\" malte und plakatierte sie ein \u00fcberdimensioniertes ikonisches Gesicht im Schattenriss auf die Mauern von Paris. Die Orte, an denen diese Werke angebracht waren, ergaben, auf dem Stadtplan markiert und mit Linien verbunden, das gleiche Motiv noch einmal. Jetzt hat YZ die plakative Kampagnenform hinter sich gelassen und ihr Augenmerk auf klassisch anmutende Malerei gerichtet. In abgestuften Graut\u00f6nen oder schwarz bis transparent, wie bei einer Kohlezeichnung, bringt sie historische Fotomotive realistisch zu Packpapier. Diese Bilder tapeziert YZ in den \u00f6ffentlichen Raum, wo sie mit den Wandstrukturen symbiotisch zu verschmelzen beginnen. Frauen eines anderen Jahrhunderts, so sinngem\u00e4\u00df der Titel einer ihrer Werkgruppen, treten uns heutigen Betrachtern darin gegen\u00fcber. \"Einer der wichtigsten Aspekte in der Street Art ist die Idee, dass die genutzten Oberfl\u00e4chen auch als solche interessant sind. Sie liefern Strukturen und Texturen, die als eine zus\u00e4tzliche Bedeutungsebene in die Werke einflie\u00dfen. Deren Reproduktion kann somit Teil einer Galeriearbeit werden\", hat der britische Kritiker Cedar Lewisohn angemerkt.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":3,"title":"67 - Zevs ","title_html":"<span class=\"guide-vpm-small\">67<\/span><span class=\"guide-vpm-zoomed\"> - Zevs <\/span>","left":"60.6%","top":"51.2%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">67<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Perpetual Ending <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Zevs <\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Zeus_The-End-1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Zeus The End 1\" aria-describedby=\"image-info-3861\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3861\" class=\"image-info-accessibility sr-only\">Zeus The End 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Zevs <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>1,6 x 5,1 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/zevs\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Zevs, pronounced Zeus, is said to have borrowed his stylized nom de plume from the identification code of a Paris Metro that almost rolled over him when he was spraying as a young man. He is considered one of the most important pioneers of more recent Street Art, which became popular around the world at the turn of the millennium, and on which today\u2019s entire Urban Art movement is based. Already in the 1990s Zevs played through various experiments of what in the meanwhile are genres: from logo tags, for him, a throw-up as a cloud from which a lightning bolt strikes\u2014almost in the way the mythical Zeus would hurl it\u2014to shaded silhouettes, to drawings called reverse graffiti using high-pressure cleaners on dirty walls. With so-called drip paintings on and over logos of well-known brands, which he then ambiguously named <em>liquidated<\/em>, Zevs already entered the field of word-based samplings that he varies with his project <em>Perpetual Ending<\/em>, which he started in 2005. The iconic lettering <em>The End<\/em>, very familiar to us from Hollywood films, is now suspended in the Ventilator Hall of the V\u00f6lklingen Ironworks. Projected onto it is what seems to be an endless stream of global news items from our time. They make an even more dramatic and dystopian impression in the installation than they already do in their own right.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"}]},{"id":2,"title":"Burden Shed","image":"\/assets\/plaene\/urban-art-2022\/map_urbanart_moellerhalle_optimiert.jpg","aspectRatio":{"height":2000,"width":2000},"markers":[{"marker":{"id":49,"title":"2 - Jef A\u00e9rosol","title_html":"<span class=\"guide-vpm-small\">2<\/span><span class=\"guide-vpm-zoomed\"> - Jef A\u00e9rosol<\/span>","left":"16%","top":"46.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">2<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Black Is beautiful!<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Jef A\u00e9rosol<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jef-Aerosol-Black-is-beatiful__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Jef Aerosol Black is beatiful\" aria-describedby=\"image-info-3492\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3492\" class=\"image-info-accessibility sr-only\">Jef Aerosol Black is beatiful\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Jef A\u00e9rosol<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2014, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>240 x 600 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, wood <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/jef-aerosol\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Jean-Fran\u00e7ois Perroy, alias Jef A\u00e9rosol, is an original member of the French pochoir movement. Together with fellow pochoirists like Blek le Rat and Miss Tic, he pioneered the stencilling technique so frequently replicated in the UrbanArt of today. Back in 1986, he created the cover artwork for \"Vite Fait, Bien Fait\", the very first book on the subject of street art, or rather, on the culture of rebellion that the art form represents. Translating as \"Done Quickly, Done Well\", the book's title sums up the punk spirit that characterised the early stencilists. Jef A\u00e9rosol's first graffiti series appeared in Tours in 1982. Based on photos from a photo booth, it comprises a set of self-portraits showing Aerosol making funny faces. The pictures are framed by writing on two sides in a format reminiscent of the record cover for \"London Calling\" by The Clash (Jef A\u00e9rosol is also a musician). The words that feature there include the artist's pseudonym as well as terms and slogans like \"Click Clack\" and \"Sniffin' Paint \" \u2013 references to the transgressive act of spray painting. Over the course of his career, Jef A\u00e9rosol has refined this initial silhouette-like motif style, to create more sophisticated detailed representations. While life-size portraits or figures feature regularly in the pochoiristes' works, Jef A\u00e9rosol now takes things further still, creating murals that cover entire house walls. Of course, pieces such as these can hardly be executed in passing using only cardboard and spray paint cans (the means normally availed of by street punks). But A\u00e9rosol has stayed true to the rough, grayscale look of his original works. Besides rock stars like himself, Jef A\u00e9rosol likes to portray ordinary people. In the piece shown here, a whitewashed assemblage of boards \u2013 reminiscent of the walls of a slum shack \u2013 serves as the background for his portrayal of a group of cheerful African children. Its title came to him as he was browsing through his record collection and came across an album by Soul Unlimited. Its name: \"Black is Beautiful \".<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jef-Aerosol_Newspaper-Boy-2013__ResizedImageWzYwMCw5MDdd.jpg\" alt=\"\" width=\"600\" height=\"907\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Newspaper Boy<br>2013<br>140 x 120 cm<br>Spraypaint, paper<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":45,"title":"3 - AMPPARITO","title_html":"<span class=\"guide-vpm-small\">3<\/span><span class=\"guide-vpm-zoomed\"> - AMPPARITO<\/span>","left":"16%","top":"53.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">3<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>About an Opportune Crease<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> AMPPARITO<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Ampparito__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Ampparito\" aria-describedby=\"image-info-3738\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3738\" class=\"image-info-accessibility sr-only\">Ampparito\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> AMPPARITO<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,1 x 11,5 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Digital print<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/ampparito\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Ampparito is one of the outstanding representatives of a new generation of conceptually oriented mural artists. His installation <em>About an Opportune Crease<\/em> at the V\u00f6lklingen Ironworks displays a rather exacting side of his conceptualism: a detail of Europe from Google Maps runs across a corner of the walls in the Burden Shed. As if by chance\u2014but unfortunately very appropriately\u2014the map is folded precisely in the area of the Ukrainian war and crisis since Russia\u2019s invasion in late February 2022. Europe has gotten a crease. Will it become a tear? The artist directs our attention away from the geographical space and toward the historical period of violations of international law, crimes against humanity, and an imperialist aggression on our home continent that we thought we had overcome.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":40,"title":"10 - Drasko Boljevic","title_html":"<span class=\"guide-vpm-small\">10<\/span><span class=\"guide-vpm-zoomed\"> - Drasko Boljevic<\/span>","left":"46%","top":"55%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">10<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>He Who Wants to Be Fed <\/h1>\n <h2 class=\"exhibit-meta-info\">Series: I Live Across the Road from the Future<\/h2>\n\t\t\t\t\t<p class=\"exhibit-artist\">Drasko Boljevic<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Drasko Boljevic 1\" aria-describedby=\"image-info-3690\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3690\" class=\"image-info-accessibility sr-only\">Drasko Boljevic 1\n \n <br>Copyright: Drasko Boljevic \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Drasko Boljevic <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Drasko Boljevic<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2021<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>198 x 168 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/drasko-boljevic\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Born in Zagreb in 1969, Drasko Boljevic is presenting five works from his series <em>I Live across the Road from the Future<\/em>. His motifs here are not infrequently violent and disturbing, sometimes taken directly from Hieronymus Bosch\u2019s late medieval visions of hell. Like a set of building blocks, the individual elements can be recombined, producing connections between the images. For example, the advance guard of the plague of rats from <em>The Rise of the Ratus<\/em> is pictured in <em>He Who Wants to Be Fed<\/em>, and the hovering girl who recalls a scene of an exorcism, but who reminds the artist of the Greek goddess of the night, Nyx, floats through various constellations. One unique feature of Drasko\u2019s works is playing with anamorphotic effects. This challenges the viewers to find the right angle from which the motifs appear to be standing in space as 3-D illusions. The former sculpture student has thus preserved his sense of the spatial even after moving to Melbourne in the early 1990s and dedicating himself to stencil painting.<\/p><p> <\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_2__ResizedImageWzYwMCw2MDJd.jpg\" alt=\"\" width=\"600\" height=\"602\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>The Companionship <br>2021<br>Acrylic, canvas<br>180 x 180cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_3__ResizedImageWzYwMCw3MjJd.jpg\" alt=\"\" width=\"600\" height=\"722\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Nix Levitating Among Hypnos and Acolytes <br>2021<br>Acrylic, canvas<br>198 x 168 cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_4jpg__ResizedImageWzYwMCw0MjRd.jpg\" alt=\"\" width=\"600\" height=\"424\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>The Rise of the Ratus <br>2021<br>Acrylic, canvas<br>152 x 215 cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_5__ResizedImageWzYwMCw2MDJd.jpg\" alt=\"\" width=\"600\" height=\"602\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Nix Levitating <br>2021<br>Acrylic, canvas<br>152 x 152 cm<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":44,"title":"10 - Drasko Boljevic","title_html":"<span class=\"guide-vpm-small\">10<\/span><span class=\"guide-vpm-zoomed\"> - Drasko Boljevic<\/span>","left":"23%","top":"55.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">10<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>He Who Wants to Be Fed <\/h1>\n <h2 class=\"exhibit-meta-info\">Series: I Live Across the Road from the Future<\/h2>\n\t\t\t\t\t<p class=\"exhibit-artist\">Drasko Boljevic<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Drasko Boljevic 1\" aria-describedby=\"image-info-3690\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3690\" class=\"image-info-accessibility sr-only\">Drasko Boljevic 1\n \n <br>Copyright: Drasko Boljevic \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Drasko Boljevic <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Drasko Boljevic<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2021<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>198 x 168 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/drasko-boljevic\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Born in Zagreb in 1969, Drasko Boljevic is presenting five works from his series <em>I Live across the Road from the Future<\/em>. His motifs here are not infrequently violent and disturbing, sometimes taken directly from Hieronymus Bosch\u2019s late medieval visions of hell. Like a set of building blocks, the individual elements can be recombined, producing connections between the images. For example, the advance guard of the plague of rats from <em>The Rise of the Ratus<\/em> is pictured in <em>He Who Wants to Be Fed<\/em>, and the hovering girl who recalls a scene of an exorcism, but who reminds the artist of the Greek goddess of the night, Nyx, floats through various constellations. One unique feature of Drasko\u2019s works is playing with anamorphotic effects. This challenges the viewers to find the right angle from which the motifs appear to be standing in space as 3-D illusions. The former sculpture student has thus preserved his sense of the spatial even after moving to Melbourne in the early 1990s and dedicating himself to stencil painting.<\/p><p> <\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_2__ResizedImageWzYwMCw2MDJd.jpg\" alt=\"\" width=\"600\" height=\"602\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>The Companionship <br>2021<br>Acrylic, canvas<br>180 x 180cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_3__ResizedImageWzYwMCw3MjJd.jpg\" alt=\"\" width=\"600\" height=\"722\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Nix Levitating Among Hypnos and Acolytes <br>2021<br>Acrylic, canvas<br>198 x 168 cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_4jpg__ResizedImageWzYwMCw0MjRd.jpg\" alt=\"\" width=\"600\" height=\"424\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>The Rise of the Ratus <br>2021<br>Acrylic, canvas<br>152 x 215 cm<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Drasko-Boljevic_5__ResizedImageWzYwMCw2MDJd.jpg\" alt=\"\" width=\"600\" height=\"602\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Nix Levitating <br>2021<br>Acrylic, canvas<br>152 x 152 cm<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":33,"title":"12 - Helen Bur, Brian Beyung, Pablo Merchante, Zane Prater, Axel Void","title_html":"<span class=\"guide-vpm-small\">12<\/span><span class=\"guide-vpm-zoomed\"> - Helen Bur, Brian Beyung, Pablo Merchante, Zane Prater, Axel Void<\/span>","left":"69.7%","top":"45%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">12<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>The Others<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Helen Bur, Brian Beyung, Pablo Merchante, Zane Prater, Axel Void<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Helen-Bur__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Helen Bur\" aria-describedby=\"image-info-3702\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3702\" class=\"image-info-accessibility sr-only\">Helen Bur\n \n <br>Copyright: Helen Bur \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Helen Bur <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Helen Bur, Brian Beyung, Pablo Merchante, Zane Prater, Axel Void<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3 x 10 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Oil, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/helen-bur\" class=\"btn-bordered\">To the artist page Helen Bur<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/brian-beyung\" class=\"btn-bordered\">To the artist page Brian Beyung<\/a>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/pablo-merchante\" class=\"btn-bordered\">To the artist page Pablo Merchante<\/a>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/zane-prater\" class=\"btn-bordered\">To the artist page Zane Prater<\/a>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/axel-void\" class=\"btn-bordered\">To the artist page Axel Void<\/a>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p><em>The Others<\/em> was produced as a cooperative work within twenty-four hours in 2019. Yet the painting looks neither fragmented nor collaged. This photorealistic work, executed in rough brushwork, conveys rather the appearance of a self-contained snapshot. Its open ends lie in its content. Something about it seems uncanny. There are people on a bed in a chaotic-looking room. The red-infused coloration permits bloody, violent ideas, but the action is naturally frozen and remains enigmatic for all the familial intimacy. The painting is based on a photograph published in the book <em>Fruit Tramps: A Family of Migrant Farmworkers<\/em> by the American photojournalist Herman LeRoy Emmet, which was nominated for a Pulitzer Prize in 1990. It is about migrant workers on the margins of American society. In <em>The Others<\/em>, the artist involved draw parallels to their own, often-nomadic lifestyle. It raises the questions what \u201cconventional\u201d and \u201cunconventional\u201d are, and who defines them as such. Are we the uncanny-seeming \u201cothers\u201d? And for whom?<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":35,"title":"16 - Cone The Weird","title_html":"<span class=\"guide-vpm-small\">16<\/span><span class=\"guide-vpm-zoomed\"> - Cone The Weird<\/span>","left":"73%","top":"54%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">16<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>The Lie <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Cone The Weird<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Cone-The-Weird_The-Lie__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Cone The Weird The Lie\" aria-describedby=\"image-info-3698\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3698\" class=\"image-info-accessibility sr-only\">Cone The Weird The Lie\n \n <br>Copyright: Cone The Weird\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Cone The Weird<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Cone The Weird<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2017 <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 100 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/cone-the-weird\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>As a youth between the poles of comics and graffiti, Colin Kaesekamp of Munich found his way into the world of art. As Cone\u2014because graffiti artists leave their legal name behind\u2014he is developing an extensive oeuvre based on designing figurative characters by means of progressive deformation. His love of the do-it-yourself attitude, \u201cwhich is often found in the fields of comics, illustration, graffiti, and urban art,\u201d comes into it as well. Since 2011 Cone has been a member of the famous collective The Weird and uses the name of the group as an attributive added to his name. Kaesekamp came to Saarbr\u00fccken to study communication design at the HBK Saar, where he is now a lecturer. He participated V\u00f6lklingen\u2019s Urban Art Biennale already in 2015 and 2019. This \u201clocal hero\u201d nevertheless has an international orientation with exhibitions from Texas to Tokyo. His diptych <em>The Lie \/ The Truth<\/em> is from the same series\u2014 <em>The Grey Series<\/em>\u2014as his mural on Futterstrasse in Saarbr\u00fccken, and it combines fa\u00e7ade paint, ink, and acrylic as material references to his working fields: wall, paper, and canvas. Two tangled narratives: <em>The Lie and The Truth<\/em>\u2014they are difficult to keep apart.<\/p><p><img src=\"\/assets\/ausstellungen\/2022\/6-Urbanart-Biennale\/Cone-The-Weird_The-Truth__ResizedImageWzYwMCw3MTFd.jpg\" alt=\"\" width=\"600\" height=\"711\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>The Truth<br>2018<br>Mischtechnik, Leinwand<br>120 x 100 cm<\/p><p> <\/p><p> <\/p><p>The Truth<br>2018<br>120 x 100 cm <br>Mischtechnik auf Leinwand<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":34,"title":"19 - Hendrik Czakainski","title_html":"<span class=\"guide-vpm-small\">19<\/span><span class=\"guide-vpm-zoomed\"> - Hendrik Czakainski<\/span>","left":"66%","top":"54%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">19<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Technofossils <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Hendrik Czakainski<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hendrik-Czakainski_by_Lukas_K_Stiller__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Hendrik Czakainski by Lukas K Stiller\" aria-describedby=\"image-info-3737\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3737\" class=\"image-info-accessibility sr-only\">Hendrik Czakainski by Lukas K Stiller\n \n <br>Copyright: Lukas K. Stiller \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Lukas K. Stiller <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Hendrik Czakainski<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>140 x 140 cm each<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>MDF, cardboard, paint, surfacer<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/hendrik-czakainski\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p><em>Technofossils<\/em> is Hendrik Czakainski\u2019s title for the work he is presenting in V\u00f6lklingen\u2014and it is well suited to its aesthetic and message. Deposited as sediments, such remains will presumably what tells the story of us and our era\u2014if someone or something makes the effort to look into it. Reminiscent at first, presumably not unintentionally, in terms of perspective and composition of aerial photography or zoomed-in satellite images, on closer inspection they turn out to be detailed assemblages. Coming from traditional painting, Czakainski enhanced his oeuvre by employing medium-density fiberboard, nets, spackle, and iron powder to create a hybrid form between painting and model building in his Berlin studio. The color structures are partially corroded and evoke the flipside of our economic and social order: slagheaps and slums. As profits increase, the use of resources and the exploitation of \u201chuman materials\u201d increase as well. The growth logic of <em>Homo oeconomicus<\/em> always ensures\u2014at least for the invisible hand of its beneficiary\u2014that the slagheap of mental and material toxic waste will grow as well\u2014as Hendrik Czakainski has deftly illustrated.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":42,"title":"20 - Deih","title_html":"<span class=\"guide-vpm-small\">20<\/span><span class=\"guide-vpm-zoomed\"> - Deih<\/span>","left":"35%","top":"50%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">20<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>The Brightest Light <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Deih<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/DEIH_Jeanett_Dittmar__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"DEIH Jeanett Dittmar\" aria-describedby=\"image-info-3840\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3840\" class=\"image-info-accessibility sr-only\">DEIH Jeanett Dittmar\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Deih<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,4 x 3,5 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, spray paint, cotton<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/deih\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>His career path as an artist has been diverse: Having worked for commercial clients as a mural artist, animator, and illustrator, Deih, who is from Valencia, has been active in graffiti since the 1990s and now concentrates on independent projects. They are characterized by a strong orientation toward the art of comics. Deih\u2019s visual universe, between the comic-book series <em>Tank Girl<\/em> and the illustrator Jack Kirby, is filled with the specific pathos formulas of graphic novels. The result is, however, not the formalistically distance exercises of Pop Art but rather, quite the opposite, monumental, illustrated narratives. Universes overlap, break down, flow together, populated by fantasy girls and space cowboys, perhaps stranded on the Milky Way or in the menacing sci-fi city Freeside from the computer game <em>Fallout<\/em>.<br><em>In The Brightest Light<\/em>, a female figure is floating in the center. She is surrounded by panels that are like mirrors of other worlds. On closer inspection, her half-covered face recalls a death\u2019s head, and the bands around her limbs the bandages of a mummy. \u201cA whole that never ceases to happen,\u201d says Deih, \u201clive and death, the brightest light.\u201d<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":36,"title":"22 - Les Fr\u00e8res Ripoulain","title_html":"<span class=\"guide-vpm-small\">22<\/span><span class=\"guide-vpm-zoomed\"> - Les Fr\u00e8res Ripoulain<\/span>","left":"61%","top":"54%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">22<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Dummy Birds <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Les Fr\u00e8res Ripoulain<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Les_Freres_Ripoulain__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Les Freres Ripoulain\" aria-describedby=\"image-info-3894\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3894\" class=\"image-info-accessibility sr-only\">Les Freres Ripoulain\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Les Fr\u00e8res Ripoulain<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2009 \/ 2020<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>163 x 129 x 129 cm<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Steel, plastic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/les-freres-ripoulain\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Les Fr\u00e8res Ripoulain are Mathieu Tremblin and David Renault. The name alludes to the Parisian group of street art pioneers of the 1980s called Les Fr\u00e8res Ripoulin around artists such as Nina Childress and Jean Faucheur. The installation <em>Dummy Birds<\/em> plays on the theme of the initially subliminal threat from Alfred Hitchcock's classic 1963 horror film, <em>The Birds<\/em>. In Les Fr\u00e8res Ripoulain\u2019s work, the place on the scaffolding, which in the film is occupied by the frenzied birds, is occupied by fake cameras that are actuated in an uncanny way by motion detectors. The philosopher Slavoj \u017di\u017eek once described the birds in the film as standing in a close, complementary relationship to the law (the maternal claim to dominion), while at the same time incarnating utter evil. Surveillance in public space seems to be like the birds in Hitchcock\u2019s terrible vision: they encroach when the rulers feel threatened. At first, they seem harmless. When we finally become aware of the danger, it may be too late.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":41,"title":"25 - Maya Haruk","title_html":"<span class=\"guide-vpm-small\">25<\/span><span class=\"guide-vpm-zoomed\"> - Maya Haruk<\/span>","left":"40%","top":"55%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">25<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Ohne Titel <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Maya Haruk<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Maya-Hajuk4__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Maya Hajuk4\" aria-describedby=\"image-info-3735\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3735\" class=\"image-info-accessibility sr-only\">Maya Hajuk4\n \n <br>Copyright: Maya Hayuk \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Maya Hayuk <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Maya Haruk<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019 <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>122 x 122 cm each<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/maya-haruk\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The New York artist Maya Hayuk, whose familial roots hail from Ukraine, is one of the world's best-known representatives of contemporary mural art. Her untitled work here at the Urban Art Biennale 2022 bears her unmistakable signature: brightly colored compositions of interwoven surfaces and geometric shapes that create dovetailing abstract patterns reminiscent of those of a kaleidoscope. The play with symmetry is also reflected in the arrangement of the individual parts of the unusual triptych on display in the M\u00f6llerhalle [burden shed]. Hayuk's works conceals a multitude of references\u2014from Ukrainian folk art to Tibetan mandalas to coral reefs. The stylistic device of the paint drips employed by the artist oscillates between the high and low of high art \u00e0 la Jackson Pollock and permissible artisanal imperfection. What is Maya Hayuk all about? Perhaps the most obvious answer is the best: color.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":47,"title":"26 - Olivier H\u00f6lzl","title_html":"<span class=\"guide-vpm-small\">26<\/span><span class=\"guide-vpm-zoomed\"> - Olivier H\u00f6lzl<\/span>","left":"23%","top":"48%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">26<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Hypochondrische Selbstliebe <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Olivier H\u00f6lzl<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hoelzl_1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Hoelzl 1\" aria-describedby=\"image-info-3744\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3744\" class=\"image-info-accessibility sr-only\">Hoelzl 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Olivier H\u00f6lzl<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,5 x 2 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/olivier-hoelzl\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Vienna-based artist Oliver H\u00f6lzl did not \u2013 as is often the case \u2013 come to street art from graffiti; he began to experiment with stencils due to his enthusiasm for Banksy. At first he worked representationally and figuratively with an unusual, net-like stencil technique. On his numerous travels, he began trying out painting with stencil technique in public spaces, portraying groups of people, for example. In exhibitions, he then shows his stencils backlit as cut-outs. At the V\u00f6lklinger Biennale, H\u00f6lzl presents two works from a new series in which phallic buildings are created from slogans and words layered on top of each other, which he sees as symptomatic of our epoch. The word superimpositions here are also reminiscent of the famous falling rows of numbers from the opening credits of the Wachowski siblings\u2019 <em>Matrix<\/em> films. <em>Hypochondriacal Self-love<\/em> drives homo digitalis in the information age to scroll on forever without orientation, without realizing that too much of everything (<em>Trop de tout<\/em>) deprives him of freedom. According to H\u00f6lzl, \u201cconfronted with so much information and so many opinions that you can no longer filter them,\u201d modern man has become incapable of \u201cformulating a thought of his own.\u201d <\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hoelzl_2__ResizedImageWzYwMCw5MTld.jpg\" alt=\"\" width=\"600\" height=\"919\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Trop de tout<br>2022, in situ <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":50,"title":"26 - Olivier H\u00f6lzl","title_html":"<span class=\"guide-vpm-small\">26<\/span><span class=\"guide-vpm-zoomed\"> - Olivier H\u00f6lzl<\/span>","left":"22%","top":"39%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">26<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Hypochondrische Selbstliebe <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Olivier H\u00f6lzl<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hoelzl_1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Hoelzl 1\" aria-describedby=\"image-info-3744\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3744\" class=\"image-info-accessibility sr-only\">Hoelzl 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Olivier H\u00f6lzl<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,5 x 2 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/olivier-hoelzl\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Vienna-based artist Oliver H\u00f6lzl did not \u2013 as is often the case \u2013 come to street art from graffiti; he began to experiment with stencils due to his enthusiasm for Banksy. At first he worked representationally and figuratively with an unusual, net-like stencil technique. On his numerous travels, he began trying out painting with stencil technique in public spaces, portraying groups of people, for example. In exhibitions, he then shows his stencils backlit as cut-outs. At the V\u00f6lklinger Biennale, H\u00f6lzl presents two works from a new series in which phallic buildings are created from slogans and words layered on top of each other, which he sees as symptomatic of our epoch. The word superimpositions here are also reminiscent of the famous falling rows of numbers from the opening credits of the Wachowski siblings\u2019 <em>Matrix<\/em> films. <em>Hypochondriacal Self-love<\/em> drives homo digitalis in the information age to scroll on forever without orientation, without realizing that too much of everything (<em>Trop de tout<\/em>) deprives him of freedom. According to H\u00f6lzl, \u201cconfronted with so much information and so many opinions that you can no longer filter them,\u201d modern man has become incapable of \u201cformulating a thought of his own.\u201d <\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hoelzl_2__ResizedImageWzYwMCw5MTld.jpg\" alt=\"\" width=\"600\" height=\"919\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Trop de tout<br>2022, in situ <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":37,"title":"39 - Mick la Rock","title_html":"<span class=\"guide-vpm-small\">39<\/span><span class=\"guide-vpm-zoomed\"> - Mick la Rock<\/span>","left":"58%","top":"57.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">39<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Hanging Installation with Turquoise Accents<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mick la Rock<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/MickLaRock_final__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"MickLaRock final\" aria-describedby=\"image-info-4118\">\n <div class=\"image-info\">\n \n <p id=\"image-info-4118\" class=\"image-info-accessibility sr-only\">MickLaRock final\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mick la Rock<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3 x 2,5 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mick-la-rock\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The graffiti legend Mick La Rock (street name: Mickey) from Groningen, who now lives in Amsterdam, is one of Europe\u2019s earliest graffiti artists. It did not take long for her to collaborate on an equal footing with her great role models from the New York subway. Mick La Rock is also a sought-after curator for exhibitions on graffiti history. As an artist, on the other hand \u2013 which is typical of the Dutch scene \u2013 she is not wedded to the past; she is decidedly modernist-geometric with a particular architectural sensibility. Her sculptural installations \u2013 often in dialogic combination with elements of wall design \u2013 continue to reflect the writing style with its letterforms and contrasting lines outlining surfaces. Her second mobile to date, <em>Hanging Installation with Turquoise Accents<\/em>, is no exception. The strongly abstracted work, created especially for the Urban Art Biennale 2022, refers both to the letter construction of the sprayer\u2019s name and to the industrial environment in which this art takes place \u2013 the V\u00f6lklingen World Heritage Site.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":48,"title":"40 - Filippo Minelli","title_html":"<span class=\"guide-vpm-small\">40<\/span><span class=\"guide-vpm-zoomed\"> - Filippo Minelli<\/span>","left":"24%","top":"43%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">40<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Paisagem B\/E <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Filippo Minelli<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Minelli_Paisagem-BE__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Minelli Paisagem BE\" aria-describedby=\"image-info-3717\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3717\" class=\"image-info-accessibility sr-only\">Minelli Paisagem BE\n \n <br>Copyright: Filippo Minelli \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Filippo Minelli <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Filippo Minelli<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2020<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>200 x 600 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Enamel, acrylic, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/filippo-minelli\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Filippo Minelli became known in the 2000s as a representative of experimental urban art. Since then, he has navigated between Street Art and Contemporary Art, between the emerging spheres of the \u2018Second Life\u2019 of social media and the image machineries of the Internet and a tradition of urban intervention in real space that he has (co-)renewed \u2013 with a mixture of formal play and political and social commentary. His works can be immediately memorable without lacking depth. His graffiti of social media logos in unusual environments have cult status. MySpace on corrugated metal walls in Third World slums, Google Maps on the Great Wall of China, or Twitter in the (very real) echo chamber of a crowded poultry farm shack. Although he often appears as a contemplative observer, Minelli has never shied away from provocation. Minelli\u2019s engagement with spaces can also be understood as a contemplation of landscapes. In the series <em>Paisagem<\/em> (Portuguese for landscape), he revisits this classic genre. Using an inverted stencil technique \u2013 the same one, incidentally, that stands at the very beginning of the history of painting \u2013 he brings real traces from the exterior he surveys \u2013 palm leaves, twigs, and grasses \u2013 onto the canvas and at the same time works out picturesque all-over compositions.<\/p><p><img src=\"\/assets\/ausstellungen\/2022\/6-Urbanart-Biennale\/UrbanArt-Biennale-2011-bis-2019\/Minelli_Paisagem-CE__ResizedImageWzYwMCwyNTRd.jpg\" alt=\"\" width=\"600\" height=\"254\" class=\"leftAlone ss-htmleditorfield-file image\">Paisagem C\/E<br>2020<br>Enamel, acrylic, canvas<br>200 x 500 cm<\/p><p><img src=\"\/assets\/ausstellungen\/2022\/6-Urbanart-Biennale\/UrbanArt-Biennale-2011-bis-2019\/Minelli_Paisagem-CQ__ResizedImageWzYwMCwyNDJd.jpg\" alt=\"\" width=\"600\" height=\"242\" class=\"leftAlone ss-htmleditorfield-file image\">Paisagem C\/Q<br>2020<br>Enamel, acrylic, canvas<br>200 x 480 cm<\/p><p> <\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":46,"title":"41 - St\u00e9phane Moscato","title_html":"<span class=\"guide-vpm-small\">41<\/span><span class=\"guide-vpm-zoomed\"> - St\u00e9phane Moscato<\/span>","left":"19%","top":"51%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">41<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Les mains d'or<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">St\u00e9phane Moscato<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Moscato_2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Moscato 2\" aria-describedby=\"image-info-3745\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3745\" class=\"image-info-accessibility sr-only\">Moscato 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>St\u00e9phane Moscato<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>450 x 425 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, spray paint, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/stephane-moscato\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The works of St\u00e9phane Moscato generally involve the interplay of pochoir, or stencil graffiti, and d\u00e9collage, the finding, tearing, and recombining of poster assemblages. His topics lie in the Anthropocene, contemporary society, and civilization with its ambivalent relationship to the animalistic. The protagonists depicted frequently boast animal heads, the import of which oscillates between masking and unmasking. <em>Les mains d'or<\/em>, located in the Burden Shed of the V\u00f6lklingen Ironworks, is a painting on a provisional wall\u2014a panel painting. <br>The allegorical figure, a fox, is forming a magically glowing sphere from the searing iron ore. The figure is a symbolic representation of the V\u00f6lklingen metallurgical workers, as well as for the anthro-historical influence of the principles of metallurgy. Without direct contact with the hands, the material hovers within the energetic center. Moscato is \"fascinated by the inconceivable forces\" which, as in the myth of Hephaestus, the Greek god of fire and smithery, are used \"to create matter.\"<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":43,"title":"44 - Obsolettrisme","title_html":"<span class=\"guide-vpm-small\">44<\/span><span class=\"guide-vpm-zoomed\"> - Obsolettrisme<\/span>","left":"29%","top":"50%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">44<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>\u00c9tudes en noir <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Obsolettrisme<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Obsolettrismes_Roechling_Dietz__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Obsolettrismes Roechling Dietz\" aria-describedby=\"image-info-3859\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3859\" class=\"image-info-accessibility sr-only\">Obsolettrismes Roechling Dietz\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Obsolettrisme<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,6 x 15 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/obsolettrisme\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Obsolettrismes \u2013 dieses Wortspiel, das sich sowohl auf das Adjektiv \u201cobsol\u00e8te\u201d als auch auf die literarische Lettrismus-Bewegung bezieht, zeigt an, wohin die Reise bei diesem Pariser K\u00fcnstler geht. Architektonischer, sozio-mentaler und visueller Leerstand treffen auf Schrift und Kunst. Aus der Verbindung von Impulsen aus dem Lettrismus \u2013 einer Vorl\u00e4uferbewegung der Situationisten \u2013 und dem sp\u00e4teren, weniger theoretischen, daf\u00fcr aktionistisch durchschlagenden und Stadtr\u00e4ume nachhaltig besetzenden Graffiti Writing entsteht eine neue visuelle Poesie. In Paris kann es vorkommen, dass eine Metro oder ein Kleinlaster derart \u00fcberschrieben den Passanten ins Blickfeld f\u00e4hrt. Den Text genau zu lesen ist dann zwar unm\u00f6glich, aber ein erfasstes Fragment wirkt in Verbindung mit dem fl\u00fcchtigen Moment, der Stimmung der Umgebung, umso st\u00e4rker. Dann beschr\u00e4nkt sich Poesie nicht auf die Sprache, sondern wird kontextuell und situativ \u2013 oder: situationistisch. Die eigens f\u00fcr die Urban Art Biennale geschaffenen \u201c\u00c9tudes en noir\u201d legen sich \u00fcber die R\u00e4ume der leerstehenden Bankfiliale, \u00fcber Strukturen, Fenster und Raumgrenzen hinweg. Das Leben spielt sich l\u00e4ngst woanders ab, Geschichten und Erinnerungen bleiben \u2013 und schreiben sich fort. R\u00e9v\u00e9lez!<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Obsolettrisme<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/43\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Obsolettrisme_2489__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Obsolettrisme 2489\" aria-describedby=\"image-info-exhibititem-249-3743\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-249-3743\" class=\"image-info-accessibility sr-only\">Obsolettrisme 2489\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/43\" class=\"exhibit-item-number\">\n <h2>43<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/43\">\n <h3 class=\"exhibit-item-title\">No title <\/h3>\n \n <p class=\"exhibit-artist\"> Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":31,"title":"46 - Pboy","title_html":"<span class=\"guide-vpm-small\">46<\/span><span class=\"guide-vpm-zoomed\"> - Pboy<\/span>","left":"85%","top":"52%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">46<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>The Three Graces<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Pboy<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Pboy-_3-Grazien__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Pboy 3 Grazien\" aria-describedby=\"image-info-3903\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3903\" class=\"image-info-accessibility sr-only\">Pboy 3 Grazien\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Pboy<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>190 x 220 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/pboy\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Pboy (civilly known as Pascal Boyart) above all focuses on the replication of the classic works of European art history, enmeshing them within contemporary narratives, for example: Eug\u00e8ne Delacroix's <em>Liberty Leading the People<\/em>\u2014wearing yellow work vests. Or Gustave Courbet's <em>The Desperate Man<\/em> pulling at his hair because of his bank statement. In Pboy's own case, to prevent things from ever coming to that the artist began early on to integrate the possibilities of digital monetization in his art. Via the QR code attached to his pictures, fans can give him donations\u2014in the digital currency Bitcoin, of course. In Pboy's piece for the Urban Art Biennale 2022, we see the three graces from Greek mythology\u2014a popular motif throughout art history\u2014standing together on a floor covered with medical masks, which are an all too familiar sight in this Age of Corona. The masks pour from the painting onto the floor of the M\u00f6llerhalle, like a gracious gift of the minor deities. Visitors are invited to take a souvenir with them\u2014who knows when the next mask mandate will come.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":39,"title":"51 - Rocco und seine Br\u00fcder","title_html":"<span class=\"guide-vpm-small\">51<\/span><span class=\"guide-vpm-zoomed\"> - Rocco und seine Br\u00fcder<\/span>","left":"52.8%","top":"46%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">51<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>All Colors Are Beautiful <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Rocco und seine Br\u00fcder<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Rocco-und-Seine-Brueder__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Rocco und Seine Brueder\" aria-describedby=\"image-info-3901\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3901\" class=\"image-info-accessibility sr-only\">Rocco und Seine Brueder\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Rocco und seine Br\u00fcder<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,7 x 18 x 6 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/rocco-und-seine-brueder\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>For several years now, Rocco and his brothers have been making a name for themselves as an activist, urban-art collective with a graffiti background. At times the Berliners install an enigmatic room in subway shafts, other times they organize an illegal but professionally staged play there. They frequently address governmental bodies and structures, which they criticize as being merely superficially liberal and in favor of economic interests. Their installation <em>All Colors Are Beautiful<\/em> makes reference to the ACAB slogan, which is used across the world as a generalized expression of anger and rejection of repression and governmental forces of order. The installation here temporarily relocates the societal warzone into the playful sphere of a paintball arena. The allusion here to the throwing of \"paint bombs\" during demonstrations can be perceived, like the painting of trains, as a symbolic and colorful act of resistance.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":29,"title":"52 - Rouge Hartley","title_html":"<span class=\"guide-vpm-small\">52<\/span><span class=\"guide-vpm-zoomed\"> - Rouge Hartley<\/span>","left":"88%","top":"57%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">52<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>La diversit\u00e9 des tactiques <\/h1>\n <h2 class=\"exhibit-meta-info\">Series: Hold your own <\/h2>\n\t\t\t\t\t<p class=\"exhibit-artist\">Rouge Hartley<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Hartley__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Hartley\" aria-describedby=\"image-info-3858\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3858\" class=\"image-info-accessibility sr-only\">Hartley\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Rouge Hartley<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>190 x 145 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Oil, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/rouge-hartley\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Whether on canvas, as an installation or mural, large format to miniature, in collaborations or participatory projects\u2014Rouge Hartley is open to challenges and experimentation. In everything, however, painting remains the focus. And though lacking a background in street art or graffiti, Hartley has been drawn to urban art. In wall painting in the public sphere and the corresponding, parallel artistic world, she found something that she found absent both during her time at art school and in the conventional contemporary art scene: acceptance and appreciation of traditional figurative painting. The inspiration behind her piece <em>La diversit\u00e9 des tactiques<\/em> was found near her hometown of Bordeaux, at Arcachon Bay. In Hartley's case, however, the affluent and touristy area seems to have triggered discomfort. The person depicted clings tensely to the brightly colored, inflatable rubber swimming rings, which should actually be associated with feelings of rest and relaxation. Is she in danger of drowning? Perhaps, more metaphorically, from a \"kind of geopolitical and late-capitalist fear,\" as Hartley herself describes it, than from the Atlantic tides? As is typical of the artist's work, the emotions evoked here permit a variety of narrative possibilities.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":75,"title":"59 - Jan Vormann","title_html":"<span class=\"guide-vpm-small\">59<\/span><span class=\"guide-vpm-zoomed\"> - Jan Vormann<\/span>","left":"75%","top":"50%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">59<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Dispatch Work <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Jan Vormann<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jan-Vorman-Foto-JD__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Jan Vorman Foto JD\" aria-describedby=\"image-info-4114\">\n <div class=\"image-info\">\n \n <p id=\"image-info-4114\" class=\"image-info-accessibility sr-only\">Jan Vorman Foto JD\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Jan Vormann<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Plastic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/jan-vormann\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The artist, who also sees himself as a researcher-explorer, has freely shared his idea with the world through a website, <em>www.dispatchwork.info<\/em>. The result is a participatory art project that truly deserves the description \"participatory,\" although Vormann describes it more as a \"multiplayer game\" for public spaces. With interventions in Kazakhstan, Kuala Lumpur, and Cape Town, and from Alaska to Australia, <em>Dispatch Work<\/em> unites a truly international community. Even the Great Wall of China has already been creatively \"repaired\" in this way. That children might take the toy bricks with them at some point is not viewed as collateral damage but taken into account. On the grounds of the V\u00f6lklingen Ironworks, Vormann found predestined conditions to continue his work\u2014whether on his own or with beaming children during the workshop on Erzplatz [Ore Square] on the opening weekend of the Urban Art Biennale 2022.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Vormann_Jan__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Dispatch Work<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":77,"title":"59 - Jan Vormann","title_html":"<span class=\"guide-vpm-small\">59<\/span><span class=\"guide-vpm-zoomed\"> - Jan Vormann<\/span>","left":"11%","top":"34%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">59<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Dispatch Work <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Jan Vormann<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Jan-Vorman-Foto-JD__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Jan Vorman Foto JD\" aria-describedby=\"image-info-4114\">\n <div class=\"image-info\">\n \n <p id=\"image-info-4114\" class=\"image-info-accessibility sr-only\">Jan Vorman Foto JD\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Jan Vormann<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Plastic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/jan-vormann\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The artist, who also sees himself as a researcher-explorer, has freely shared his idea with the world through a website, <em>www.dispatchwork.info<\/em>. The result is a participatory art project that truly deserves the description \"participatory,\" although Vormann describes it more as a \"multiplayer game\" for public spaces. With interventions in Kazakhstan, Kuala Lumpur, and Cape Town, and from Alaska to Australia, <em>Dispatch Work<\/em> unites a truly international community. Even the Great Wall of China has already been creatively \"repaired\" in this way. That children might take the toy bricks with them at some point is not viewed as collateral damage but taken into account. On the grounds of the V\u00f6lklingen Ironworks, Vormann found predestined conditions to continue his work\u2014whether on his own or with beaming children during the workshop on Erzplatz [Ore Square] on the opening weekend of the Urban Art Biennale 2022.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Vormann_Jan__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Dispatch Work<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":38,"title":"60 - Crystal Wagner","title_html":"<span class=\"guide-vpm-small\">60<\/span><span class=\"guide-vpm-zoomed\"> - Crystal Wagner<\/span>","left":"55%","top":"52%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">60<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Iris Elementum <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Crystal Wagner<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Crystal_Wagner_iris_elementum_front__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Crystal Wagner iris elementum front\" aria-describedby=\"image-info-3740\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3740\" class=\"image-info-accessibility sr-only\">Crystal Wagner iris elementum front\n \n <br>Copyright: Crystal Wagner \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Crystal Wagner <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Crystal Wagner<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>Diameter 91,4 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper, acrylic, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/crystal-wagner\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p><em>Iris Elementum<\/em>, the work created by the American Crystal Wagner for the <em>Urban Art Biennale 2022<\/em>, is an origami sculpture as a microcosm\u2014garishly colorful, deliberately artificial and commercial, in a kind of aquarium or artificial atmosphere. Which also evokes\u2014to reverse the perspective\u2014the field of vision in an astronaut\u2019s or deep-sea diver\u2019s helmet. Or an eye. In art, as we know, everything is not only in the eye of the beholder, as the somewhat hackneyed adage goes, but in the eye of the artist. \u201cExotic flora and fauna, micro- and macro-organisms and the entire rhizomatic growth of all living things\u201d as a \u201cnatural (form) language\u201d create the source of inspiration for Wagner\u2019s structures and textures. On these, the former art professor, who has moved on from teaching, makes her plants thrive. What functions like digital graphic explosions is hand-crafted down to the very last detail. Cell structures and tissue intertwine in Wagner\u2019s installations, in so doing forming entities that are seemingly mutating energetically. In the graffiti genre, you\u2019d probably call this \u201cWild Style.\u201d<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":76,"title":"61 - Mariusz Waras","title_html":"<span class=\"guide-vpm-small\">61<\/span><span class=\"guide-vpm-zoomed\"> - Mariusz Waras<\/span>","left":"54%","top":"57.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">61<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Dooms Day III<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mariusz Waras<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Waras_Mariusz-JD__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Waras Mariusz JD\" aria-describedby=\"image-info-3844\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3844\" class=\"image-info-accessibility sr-only\">Waras Mariusz JD\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mariusz Waras<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2 x 3,8 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, canvas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mariusz-waras\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Mariusz Waras, also known as M-City, works with stencils in a special modular system. His pictures, which are often cityscapes\u2014which also explains his pseudonym\u2014are basically based on parallel projections that can be infinitely expanded. In doing so, he alternates between micro- and macro-forms, which enables a transformation of the stencil technique, actually a small format, to monumental murals. Waras, who resides in Danzig and grew up in an industrial area overlooking shipyard cranes and factory chimneys, developed early on an intensive relationship to the post-industrial urban. It shapes his world of images. He describes his impressive work <em>Dooms Day III<\/em> for the <em>Urban Art Biennale 2022<\/em> as follows: \u201cA steam-powered transatlantic warship is traversing the city as it would an ocean. It is not coming in friendship; it does not want to stop, it wants to start afresh. Like an aggressive country that wants to invade another one to destroy the infrastructure and culture and kill all the people.\u201d In light of the Russian attack on Ukraine at the end of February 2022, it is not difficult to interpret this statement. The fear that the artist\u2019s homeland, Poland, could become the next target of the Russian president Putin, is very present in the society.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":32,"title":"62 - Wasted Rita","title_html":"<span class=\"guide-vpm-small\">62<\/span><span class=\"guide-vpm-zoomed\"> - Wasted Rita<\/span>","left":"80%","top":"48%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">62<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Why FWM When You Can FML<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Wasted Rita<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Wasted_Rita__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Wasted Rita\" aria-describedby=\"image-info-3845\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3845\" class=\"image-info-accessibility sr-only\">Wasted Rita\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Wasted Rita<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2019<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,5 x 6,75 x 0,05 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Metal <\/p>\n <\/div>\n \n\n \n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Owner<\/h3>\n <p>Courtesy of Underdog Gallery<\/p>\n <\/div>\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/wasted-rita\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Rita Gomes, better known as Wasted Rita, quotes herself through social media culture in mixed media installations. That she uses acronyms like in <em>Why FWM When You Can FML (fuck with me \/ fuck my life)<\/em> is thus only logical. Between neurotic navel-gazing and provocative vulgarities, in the \u201ccranky maverick bitch, antisocial person who\u2019s hostile to the scene\u201d (her self-assessment), romantic Weltschmerz lurks behind brash punchlines. Ambivalence sometimes flashes through behind the coarse attitude. Although many of her works are hand-made, Wasted Rita deliberately works as an Internet artist. Her relationship to this medium, to which she owes her artistic relevance, and even her existence, is ambivalent and characterized by love-hate: \u201cThe virtual interactions on social media take my edge off. Instagram Stories provide nightmares.\u201d But directly sharing her work and instant appreciation from her followers would unquestionably get a like from her, unlike mainstream media\u2019s controlled hype.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Wasted_Not_so-_fun__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>not so fun<br>2016<br>Acrylic, acrylic board<br>60 x 495 cm<\/p><p>Various panels and flags<br>Acrylic, wood, canvas<br>110 x 80 cm<br><br>Courtesy of Underdog Gallery<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":30,"title":"64 - Alain Welter","title_html":"<span class=\"guide-vpm-small\">64<\/span><span class=\"guide-vpm-zoomed\"> - Alain Welter<\/span>","left":"80%","top":"54%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">64<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Iron Mope<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Alain Welter<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Welter_Alain-VE-__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Welter Alain VE \" aria-describedby=\"image-info-3846\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3846\" class=\"image-info-accessibility sr-only\">Welter Alain VE \n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Alain Welter<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,5 x 4,9 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/alain-welter\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>For writers, meaning the great majority of contemporary urban graffiti sprayers, their own stylized artist\u2019s name or tag is the subject. In this spirit, Alain Welter also shapes his pseudonym as a graphic painting. In doing so, through a cropped form he distinguishes himself from writing on canvas, which can often seem cramped and lifeless. The work <em>Iron Mope<\/em>, which Welter created for the <em>Urban Art Biennale 2022<\/em>, is a special form of the name\u2019s lettering as visual sampling. Inspired by <em>The World of Music Video<\/em> in the V\u00f6lklingen Ironworks taking place in parallel to the Biennale, Welter is referring here to the design of the idiosyncratic British heavy metal band Iron Maiden and their mascot Eddie. Welter studied to become an illustrator, and in the scope of the Capital of Culture Esch 2022 he designed ten busses with (industrial culture) motifs typical of the country. He also, following Iron Maiden\u2019s hit <em>Run to the Hills<\/em> from 1982, calls for people to rush to the walls and leave Urban Art behind there. <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"}]},{"id":3,"title":"Cityparcours","image":"\/assets\/plaene\/urban-art-2022\/map_urbanart_stadtparcours_ausschnitt_v2.jpg","aspectRatio":{"height":2000,"width":2000},"markers":[{"marker":{"id":53,"title":"1 - Adrien M & Claire B. & Brest Brest, Brest","title_html":"<span class=\"guide-vpm-small\">1<\/span><span class=\"guide-vpm-zoomed\"> - Adrien M & Claire B. & Brest Brest, Brest<\/span>","left":"16%","top":"61.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">1<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fauna<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Adrien M & Claire B. & Brest Brest, Brest<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Brest_Brest_-1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Brest Brest 1\" aria-describedby=\"image-info-3998\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3998\" class=\"image-info-accessibility sr-only\">Brest Brest 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Adrien M & Claire B. & Brest Brest, Brest<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>118,9 x 84,1 cm<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Papier<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/adrien-m-and-claire-b-and-brest-brest-brest\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>With the work <em>Fauna<\/em> by Adrien M & Claire B in collaboration with Brest Brest Brest design group, a series of posters is being pasted on V\u00f6lklingen\u2019s walls for Urban Art Biennale 2022 that develops a life of its own by means of an augmented-reality app. The mysterious black creatures from foreign worlds come to life as soon as a smartphone with the app installed is pointed at them. In the digital matrix, the alien fauna leaps over the boundary between the poster and its surroundings. Like a digital variation on Lewis Carroll\u2019s famous white rabbit\u2014or a Pok\u00e9mon\u2014its invite us to follow it on unexpected paths and to discover the familiar urban environment with new eyes\u2014far from boring routine. <em>D\u00e9rive<\/em>, as the Situationists would say. The <em>Faune<\/em> app can be downloaded for free in the usual app stores for smartphones.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":60,"title":"1 - Adrien M & Claire B. & Brest Brest, Brest","title_html":"<span class=\"guide-vpm-small\">1<\/span><span class=\"guide-vpm-zoomed\"> - Adrien M & Claire B. & Brest Brest, Brest<\/span>","left":"48%","top":"52.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">1<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fauna<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Adrien M & Claire B. & Brest Brest, Brest<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Brest_Brest_-1__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Brest Brest 1\" aria-describedby=\"image-info-3998\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3998\" class=\"image-info-accessibility sr-only\">Brest Brest 1\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Adrien M & Claire B. & Brest Brest, Brest<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>118,9 x 84,1 cm<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Papier<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/adrien-m-and-claire-b-and-brest-brest-brest\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>With the work <em>Fauna<\/em> by Adrien M & Claire B in collaboration with Brest Brest Brest design group, a series of posters is being pasted on V\u00f6lklingen\u2019s walls for Urban Art Biennale 2022 that develops a life of its own by means of an augmented-reality app. The mysterious black creatures from foreign worlds come to life as soon as a smartphone with the app installed is pointed at them. In the digital matrix, the alien fauna leaps over the boundary between the poster and its surroundings. Like a digital variation on Lewis Carroll\u2019s famous white rabbit\u2014or a Pok\u00e9mon\u2014its invite us to follow it on unexpected paths and to discover the familiar urban environment with new eyes\u2014far from boring routine. <em>D\u00e9rive<\/em>, as the Situationists would say. The <em>Faune<\/em> app can be downloaded for free in the usual app stores for smartphones.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":58,"title":"6 - Hendrik Beikirch","title_html":"<span class=\"guide-vpm-small\">6<\/span><span class=\"guide-vpm-zoomed\"> - Hendrik Beikirch<\/span>","left":"31%","top":"40%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">6<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Kaya Urhan<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Hendrik Beikirch<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Beikirch-_Kaya-__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Beikirch Kaya \" aria-describedby=\"image-info-3504\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3504\" class=\"image-info-accessibility sr-only\">Beikirch Kaya \n \n <br>Copyright: Weltkulturere V\u00f6lklinger H\u00fctte \/ Oliver Dietze \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturere V\u00f6lklinger H\u00fctte \/ Oliver Dietze <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Hendrik Beikirch<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>20 x 20 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic paint <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/hendrik-beikirch\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Auf die Metallverkleidung der ehemaligen Stranggussanlage von Saarstahl an der Rathausstra\u00dfe malte Hendrik Beikirch das gut 600 qm gro\u00dfe Portr\u00e4t des fr\u00fcheren H\u00fcttenarbeiters Kaya Urhan. Beikirch, der als Graffiti-K\u00fcnstler zu den wichtigsten europ\u00e4ischen Pionieren in der Entwicklung zur heutigen urbanen Wandmalerei geh\u00f6rt, konzentriert sich seit l\u00e4ngerem auf monumentale monochrome Portr\u00e4ts realer Menschen. Der hier portr\u00e4tierte Kaya Urhan kam 1971 aus der T\u00fcrkei nach Vo\u0308lklingen und erlebte 1986 den letzten Abstich am Hochofen III. Auch als Rentner ist er immer bekennender V\u00f6lklinger geblieben. Mit dem Strukturwandel wurde er zum Zeitzeugen der V\u00f6lklinger H\u00fctte. Einen der letzten Arbeitstage bei der Roheisenerzeugung 1986 hat er selbst gefilmt. So kann das Weltkulturerbe dieses einzigartige Dokument aus der authentischen Perspektive der Arbeiter vor Ort heute online pr\u00e4sentieren. \u201eDas Besondere einer Region wird immer durch das Leben und Handeln derer, die darin ihr Leben verbringen, geschaffen\u201c, so Hendrik Beikirch. Mit seinem Portr\u00e4t tr\u00e4gt er dazu bei, dass dies niemand so leicht \u00fcbersieht.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Hendrik Beikirch<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/7\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Beikirch-R-T__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Beikirch R T\" aria-describedby=\"image-info-exhibititem-208-3487\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-208-3487\" class=\"image-info-accessibility sr-only\">Beikirch R T\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Hans-Georg Merkel <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/7\" class=\"exhibit-item-number\">\n <h2>7<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/7\">\n <h3 class=\"exhibit-item-title\">Rakouch Timallizene<\/h3>\n \n <p class=\"exhibit-artist\">Hendrik Beikirch<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":67,"title":"11 - Benedetto Bufalino","title_html":"<span class=\"guide-vpm-small\">11<\/span><span class=\"guide-vpm-zoomed\"> - Benedetto Bufalino<\/span>","left":"85%","top":"34%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">11<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>La table de ping-pong sur les voitures<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Benedetto Bufalino<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/BenedettoBufalino__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"BenedettoBufalino\" aria-describedby=\"image-info-3896\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3896\" class=\"image-info-accessibility sr-only\">BenedettoBufalino\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Benedetto Bufalino<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Mixed media<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/benedetto-bufalino\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Benedetto Bufalino has two obvious obsessions: motor vehicles and playing fields. In addition to conventional playing fields, which the French artist\u2014whom the critic Paul Ardenne also calls an \u201carrangeur\u201d\u2014unconventionally reinvents, his real playing field is the everyday urban environment. Humor is another obvious driving force: \u201cI would like to change the world, make it funnier.\u201d Many of his works have a sculptural quality, which is usually humorous, sometimes also with a pinch of reflection on the potential for conflict in urban battle zones globally\u2014like a toppled bus or <em>La voiture de police barbecue G20<\/em>. Now there is a swimming pool in the buss; the police car is playing with fire and presents its upturned underbody as a grill. In V\u00f6lklingen, Bufalino is taking the dead space occupied by three parked cars and building over it an unusual ping-pong table adapted to the forms of the cars. He is thus altering the playing field in a real and in a metaphorical sense. Often until there is a confrontation one does not notice such genuinely manifested utopian ideas, what is missing in the functional urban environment optimized for work and consumption. What would be the first impulse for city dwellers small and large? Run over there, get started!<br><br><br><\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":61,"title":"15 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">15<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"58%","top":"52%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">15<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fig 537: Aristeis Globus<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, varnish, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In the case Codex Urbanus, the artist\u2019s name and the work are one. Bored with his respectable career, the rock fan Antoine Techenet, born in Paris in 1974 as the son of a pharmacist, began to draw strange beasts. By combining the animals known to science, Codex Urbanus has been creating new species. Because animals need a habitat, he began to let his creatures run wild: on the walls of Montmartre, which has long since been famous as a biotope for beings from the demimonde. Thanks to his good bourgeois education, initially he hesitated to apply the creatures directly as graffiti. He first drew them on ceramic plaques that he then applied. Later, however, he switched to drawing directly on the wall with paints and markers. When the \u201calchemic vandal\u201d releases his creature, he\u2014always the discoverer\u2014gives them an appropriate Latin name. Hence we encounter <em>Suricatta Sepian\u00e6<\/em>, the cuttlefish-meerkat, and <em>Mamothos Araneus<\/em>, a hybrid of mammoth and spider. <br>How do the native creatures react to these invasive species? We consult Codex: \u201cAt first glance, they look disturbing, but my monsters are a lot of fun for children in particular.\u201d Curiosus Homines of all ages now set off on a voyage of discovery in the postindustrial biosphere on the path from the V\u00f6lklingen Ironworks to V\u00f6lklingen City.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanuns-Fig__ResizedImageWzYwMCwzOTdd.-662.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 662: Canis Mechachelodo<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanaus-B51_Globus__ResizedImageWzYwMCw4OTdd.jpg\" alt=\"\" width=\"600\" height=\"897\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Unterfuehrung-2__ResizedImageWzYwMCw0MjJd.jpg\" alt=\"\" width=\"600\" height=\"422\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbananus_Huette__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Fig-574_II__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 574: Chimera Volklingensis<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-exhibititem-220-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-220-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-item-number\">\n <h2>14<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\">\n <h3 class=\"exhibit-item-title\">Steam Burlesque<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":56,"title":"15 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">15<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"26%","top":"53%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">15<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fig 537: Aristeis Globus<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, varnish, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In the case Codex Urbanus, the artist\u2019s name and the work are one. Bored with his respectable career, the rock fan Antoine Techenet, born in Paris in 1974 as the son of a pharmacist, began to draw strange beasts. By combining the animals known to science, Codex Urbanus has been creating new species. Because animals need a habitat, he began to let his creatures run wild: on the walls of Montmartre, which has long since been famous as a biotope for beings from the demimonde. Thanks to his good bourgeois education, initially he hesitated to apply the creatures directly as graffiti. He first drew them on ceramic plaques that he then applied. Later, however, he switched to drawing directly on the wall with paints and markers. When the \u201calchemic vandal\u201d releases his creature, he\u2014always the discoverer\u2014gives them an appropriate Latin name. Hence we encounter <em>Suricatta Sepian\u00e6<\/em>, the cuttlefish-meerkat, and <em>Mamothos Araneus<\/em>, a hybrid of mammoth and spider. <br>How do the native creatures react to these invasive species? We consult Codex: \u201cAt first glance, they look disturbing, but my monsters are a lot of fun for children in particular.\u201d Curiosus Homines of all ages now set off on a voyage of discovery in the postindustrial biosphere on the path from the V\u00f6lklingen Ironworks to V\u00f6lklingen City.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanuns-Fig__ResizedImageWzYwMCwzOTdd.-662.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 662: Canis Mechachelodo<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanaus-B51_Globus__ResizedImageWzYwMCw4OTdd.jpg\" alt=\"\" width=\"600\" height=\"897\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Unterfuehrung-2__ResizedImageWzYwMCw0MjJd.jpg\" alt=\"\" width=\"600\" height=\"422\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbananus_Huette__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Fig-574_II__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 574: Chimera Volklingensis<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-exhibititem-220-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-220-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-item-number\">\n <h2>14<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\">\n <h3 class=\"exhibit-item-title\">Steam Burlesque<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":63,"title":"15 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">15<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"78%","top":"45%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">15<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fig 537: Aristeis Globus<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, varnish, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In the case Codex Urbanus, the artist\u2019s name and the work are one. Bored with his respectable career, the rock fan Antoine Techenet, born in Paris in 1974 as the son of a pharmacist, began to draw strange beasts. By combining the animals known to science, Codex Urbanus has been creating new species. Because animals need a habitat, he began to let his creatures run wild: on the walls of Montmartre, which has long since been famous as a biotope for beings from the demimonde. Thanks to his good bourgeois education, initially he hesitated to apply the creatures directly as graffiti. He first drew them on ceramic plaques that he then applied. Later, however, he switched to drawing directly on the wall with paints and markers. When the \u201calchemic vandal\u201d releases his creature, he\u2014always the discoverer\u2014gives them an appropriate Latin name. Hence we encounter <em>Suricatta Sepian\u00e6<\/em>, the cuttlefish-meerkat, and <em>Mamothos Araneus<\/em>, a hybrid of mammoth and spider. <br>How do the native creatures react to these invasive species? We consult Codex: \u201cAt first glance, they look disturbing, but my monsters are a lot of fun for children in particular.\u201d Curiosus Homines of all ages now set off on a voyage of discovery in the postindustrial biosphere on the path from the V\u00f6lklingen Ironworks to V\u00f6lklingen City.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanuns-Fig__ResizedImageWzYwMCwzOTdd.-662.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 662: Canis Mechachelodo<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanaus-B51_Globus__ResizedImageWzYwMCw4OTdd.jpg\" alt=\"\" width=\"600\" height=\"897\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Unterfuehrung-2__ResizedImageWzYwMCw0MjJd.jpg\" alt=\"\" width=\"600\" height=\"422\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbananus_Huette__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Fig-574_II__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 574: Chimera Volklingensis<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-exhibititem-220-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-220-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-item-number\">\n <h2>14<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\">\n <h3 class=\"exhibit-item-title\">Steam Burlesque<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":62,"title":"15 - Codex Urbanus","title_html":"<span class=\"guide-vpm-small\">15<\/span><span class=\"guide-vpm-zoomed\"> - Codex Urbanus<\/span>","left":"60%","top":"47%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">15<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Fig 537: Aristeis Globus<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Globus_Unterf__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Codex Urbanus Globus Unterf\" aria-describedby=\"image-info-3918\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3918\" class=\"image-info-accessibility sr-only\">Codex Urbanus Globus Unterf\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Codex Urbanus<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>120 x 200 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Spray paint, varnish, concrete<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/codex-urbanus\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>In the case Codex Urbanus, the artist\u2019s name and the work are one. Bored with his respectable career, the rock fan Antoine Techenet, born in Paris in 1974 as the son of a pharmacist, began to draw strange beasts. By combining the animals known to science, Codex Urbanus has been creating new species. Because animals need a habitat, he began to let his creatures run wild: on the walls of Montmartre, which has long since been famous as a biotope for beings from the demimonde. Thanks to his good bourgeois education, initially he hesitated to apply the creatures directly as graffiti. He first drew them on ceramic plaques that he then applied. Later, however, he switched to drawing directly on the wall with paints and markers. When the \u201calchemic vandal\u201d releases his creature, he\u2014always the discoverer\u2014gives them an appropriate Latin name. Hence we encounter <em>Suricatta Sepian\u00e6<\/em>, the cuttlefish-meerkat, and <em>Mamothos Araneus<\/em>, a hybrid of mammoth and spider. <br>How do the native creatures react to these invasive species? We consult Codex: \u201cAt first glance, they look disturbing, but my monsters are a lot of fun for children in particular.\u201d Curiosus Homines of all ages now set off on a voyage of discovery in the postindustrial biosphere on the path from the V\u00f6lklingen Ironworks to V\u00f6lklingen City.<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanuns-Fig__ResizedImageWzYwMCwzOTdd.-662.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 662: Canis Mechachelodo<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanaus-B51_Globus__ResizedImageWzYwMCw4OTdd.jpg\" alt=\"\" width=\"600\" height=\"897\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Unterfuehrung-2__ResizedImageWzYwMCw0MjJd.jpg\" alt=\"\" width=\"600\" height=\"422\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbananus_Huette__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>No title<br>2022, in situ<\/p><p><img src=\"\/public\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Codex-Urbanus-Fig-574_II__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Fig 574: Chimera Volklingensis<br>2022, in situ<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Codex Urbanus<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/CU_AFFICHE_CODES_DE-1__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"CU AFFICHE CODES DE 1\" aria-describedby=\"image-info-exhibititem-220-3713\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-220-3713\" class=\"image-info-accessibility sr-only\">CU AFFICHE CODES DE 1\n \n <br>Copyright: Codex Urbanus \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Codex Urbanus <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\" class=\"exhibit-item-number\">\n <h2>14<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/14\">\n <h3 class=\"exhibit-item-title\">Steam Burlesque<\/h3>\n \n <p class=\"exhibit-artist\"> Codex Urbanus<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":68,"title":"23 - Frukty ","title_html":"<span class=\"guide-vpm-small\">23<\/span><span class=\"guide-vpm-zoomed\"> - Frukty <\/span>","left":"76%","top":"13%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">23<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Bilder-W\u00f6rterbuch <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Frukty <\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Frukty-Hauswand-dramatisch__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Frukty Hauswand dramatisch\" aria-describedby=\"image-info-3919\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3919\" class=\"image-info-accessibility sr-only\">Frukty Hauswand dramatisch\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Frukty <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>7 x 8 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, spray paint<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/frukty\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The work is located in the street \"Am H\u00fcttenwerk\" in V\u00f6lklingen.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Frukty <\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/24\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Frukty-Handwerkergasse__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Frukty Handwerkergasse\" aria-describedby=\"image-info-exhibititem-230-3904\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-230-3904\" class=\"image-info-accessibility sr-only\">Frukty Handwerkergasse\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/24\" class=\"exhibit-item-number\">\n <h2>24<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/24\">\n <h3 class=\"exhibit-item-title\">It's all right<\/h3>\n \n <p class=\"exhibit-artist\">Frukty <\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":54,"title":"28 - Jaune","title_html":"<span class=\"guide-vpm-small\">28<\/span><span class=\"guide-vpm-zoomed\"> - Jaune<\/span>","left":"18%","top":"56%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">28<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Kunstfabrik<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Jaune<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Kunstfabrik_Oliver_Dietze__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Kunstfabrik Oliver Dietze\" aria-describedby=\"image-info-3839\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3839\" class=\"image-info-accessibility sr-only\">Kunstfabrik Oliver Dietze\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Jaune<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,1 x 15 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/jaune\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Belgian Jaune has become known for his stencil works of miniature garbage men in urban spaces. They are often overlooked, despite the signal colors of their work clothes, much like the real-life city cleaners among whom the artist himself once belonged. Jaune\u2019s attention to detail is evident in his site-specific work, <em>Kunstfabrik<\/em> (<em>Art Factory<\/em>), created especially for the V\u00f6lklingen Ironworks and affixed to the outer wall of the square. The titular lettering consists of pipes and vents of the kind that the Ironworks has in abundance, populated by Jaune\u2019s typical figures \u2013 at first glance, anyway. For in this context, the garbage men become smelter men, marked by their work clothes in gray and orange, like those worn by today\u2019s workers at Saarstahl. <em>Kunstfabrik<\/em> clearly refers to the industrial past of the V\u00f6lklingen Ironworks, but also to its present role as a hotspot for art and culture \u2013 a symbol of structural change. If you keep your eyes open, you will encounter more miniature workers at the V\u00f6lklingen train station \u2013 this time identifiable with yellow and orange outfits as members of the city cleaning service.<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":64,"title":"29 - Katre","title_html":"<span class=\"guide-vpm-small\">29<\/span><span class=\"guide-vpm-zoomed\"> - Katre<\/span>","left":"84%","top":"54.5%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">29<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Industrial Energy<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Katre<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Katre-Roechling-aussen-2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Katre Roechling aussen 2\" aria-describedby=\"image-info-3902\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3902\" class=\"image-info-accessibility sr-only\">Katre Roechling aussen 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Katre<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>je 175 x 210 cm \/ 175 x 175 cm <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, paper, wood<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/katre\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Katre bases his work on photographs from disused urban-industrial buildings. He usually then overlays these with abstract energy-related elements derived from the formal language of graffiti letters. He varies this theme in different techniques and genres such as mural painting, printmaking, installation and real graffiti interventions in vacant lots and industrial ruins: \u201cI feel good in abandoned factories! They are my studio, my laboratory where I find inspiration, and the center of my work.\u201d On the one hand, his painted or sculptural wedges and arrows suggest energies that transcend visible structures; on the other, they still function as the writer\u2019s stylistic trademark. Everybody\u2019s got their own arrow! In on-site installations such as <em>Industrial Energy<\/em> in the abandoned administration and bank building in V\u00f6lklingen's Rathausstrasse, neon tubes dynamically placed in the space assume a suggestive compositional function. Painting has disappeared from Katre\u2019s equation here.<\/p><p><br><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Katre-Rohfassung__ResizedImageWzYwMCw0OTBd.jpg\" alt=\"\" width=\"600\" height=\"490\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":57,"title":"30 - Lek & Sowat","title_html":"<span class=\"guide-vpm-small\">30<\/span><span class=\"guide-vpm-zoomed\"> - Lek & Sowat<\/span>","left":"24.5%","top":"45%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">30<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>May the Bridges I Burn Light the Way<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Lek & Sowat<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat-Unterfuehrung_einfahrt__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Lek Sowat Unterfuehrung einfahrt\" aria-describedby=\"image-info-3847\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3847\" class=\"image-info-accessibility sr-only\">Lek Sowat Unterfuehrung einfahrt\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Lek & Sowat<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,5 x 130 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Plastic sheet, plexiglas<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/lek-and-sowat\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The French duo Lek & Sowat have been working together since they met at a group exhibition in Paris in 2009. The path from subcultural graffiti \u201cbombing\u201d to conceptual intervention in public space (and back) is shorter than one might think: massive lettering along urban and peripheral traffic infrastructures, strikingly executed, originally designed. Only the content has undergone a shift: the focus is no longer on the artist\u2019s own name, but on poetic or self-reflexive reference. The lettering \u201cLEK & SOWAT, MAY THE BRIDGES I BURN LIGHT THE WAY, 2022, V\u00d6LKLINGEN\u201d is emblazoned with foil and acrylic on the glass partition wall along the underpass between the V\u00f6lklingen Ironworks and the train station. The letters, in red and white on gray, are reminiscent of phantom images in their design, which corresponds to the social symbolism of graffiti and also makes one think of urban hacking. By placing work and work information in one medium, Lek & Sowat intend to \u201cphysically connect the museum to the city\u201d and at the same time \u201ctalk about the difficult decisions we had to make as artists.\u201d<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Lek & Sowat<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/31\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat_Quetzacoatl__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek Sowat Quetzacoatl\" aria-describedby=\"image-info-exhibititem-237-3841\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-237-3841\" class=\"image-info-accessibility sr-only\">Lek Sowat Quetzacoatl\n \n <br>Copyright: Lek & Sowat\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Lek & Sowat<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/31\" class=\"exhibit-item-number\">\n <h2>31<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/31\">\n <h3 class=\"exhibit-item-title\">Quetzalcoatl<\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=1\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek-_u_Sowat_Erzhalle__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek u Sowat Erzhalle\" aria-describedby=\"image-info-exhibititem-238-3912\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-238-3912\" class=\"image-info-accessibility sr-only\">Lek u Sowat Erzhalle\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\" class=\"exhibit-item-number\">\n <h2>32<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/32\">\n <h3 class=\"exhibit-item-title\">Ohne Titel <\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat, Seth One, Katre, Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Lek_Sowat_Steuerhaus__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Lek Sowat Steuerhaus\" aria-describedby=\"image-info-exhibititem-239-3913\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-239-3913\" class=\"image-info-accessibility sr-only\">Lek Sowat Steuerhaus\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Jeanette Dittmar <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\" class=\"exhibit-item-number\">\n <h2>33<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/33\">\n <h3 class=\"exhibit-item-title\">Ohne Titel <\/h3>\n \n <p class=\"exhibit-artist\"> Lek & Sowat, Seth One, Katre, Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":65,"title":"43 - Obsolettrisme","title_html":"<span class=\"guide-vpm-small\">43<\/span><span class=\"guide-vpm-zoomed\"> - Obsolettrisme<\/span>","left":"89%","top":"53%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">43<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>No title <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> Obsolettrisme<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Obsolettrisme_2489__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Obsolettrisme 2489\" aria-describedby=\"image-info-3743\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3743\" class=\"image-info-accessibility sr-only\">Obsolettrisme 2489\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> Obsolettrisme<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>3,4 x 3,5 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, cotton <\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/obsolettrisme\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The urban poet Obsolettrismes, from Paris, inscribes surfaces with his spontaneously associative texts and poems. On occasion, the result is radical, wall-sized \"all-overs\"; other times, intuitively placed, minute fragments. His works play with the surfaces of the urban sphere, weaving themselves into and annotating the social contexts. Some works call to mind the indecipherable hieroglyphics of asemic writing; elsewhere the lines brim with the most beautiful handwriting as accurately as in a school notebook. As the world is a sheet of paper for this form of concrete poetry, the locations can vary: in the subway as a \"M\u00e9tro-glyph\u2122,\" on walls, delivery trucks, or in \"lost places\"(i.e., modern ruins). For the Urban Art Biennale 2022, with V\u00f6lklingen, Obsolettrismes has draped an easy-to-read variant that fully fills the sheet of fabric in the M\u00f6llerhalle [burden shed]. His dystopian poem, written on location, is a tribute to the V\u00f6lklingen Ironworks and its historical significance as well as a meditation on the industrialized world of the modern age\u2014the dawning of which is exemplified by the shed housing the poem.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"exhibit-items-list\">\n <h3>Further exhibits by Obsolettrisme<\/h3>\n\t\t\t\t\t\t\t<div class=\"row exhibit-items-list-row\">\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/44\" class=\"exhibit-image\">\n <span class=\"exhibit-image-wrapper\">\n \n <div class=\"lazy-image\">\n <img src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Obsolettrismes_Roechling_Dietz__FillMaxWzM1MCwzNTBd.jpg\" class=\"lazyload\" style=\"padding-top: 100%;\" alt=\"Obsolettrismes Roechling Dietz\" aria-describedby=\"image-info-exhibititem-274-3859\">\n <div class=\"image-info\">\n \n <p id=\"image-info-exhibititem-274-3859\" class=\"image-info-accessibility sr-only\">Obsolettrismes Roechling Dietz\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n \n <\/span>\n <\/a>\n <div class=\"exhibit-data\">\n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/44\" class=\"exhibit-item-number\">\n <h2>44<\/h2>\n <\/a>\n <div class=\"exhibit-item-info\">\n \n <a href=\"https:\/\/guide.voelklinger-huette.org\/en\/mediaguide\/exhibits\/exponate\/44\">\n <h3 class=\"exhibit-item-title\">\u00c9tudes en noir <\/h3>\n \n <p class=\"exhibit-artist\"> Obsolettrisme<\/p>\n <\/a>\n \n\t\t\t\n\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=2\" class=\"exhibit-item-location\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"currentColor\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Map<\/a>\n\t\t\t\n <\/div>\n <\/div>\n<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":59,"title":"45 - OX","title_html":"<span class=\"guide-vpm-small\">45<\/span><span class=\"guide-vpm-zoomed\"> - OX<\/span>","left":"42%","top":"47%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">45<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>No title<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\"> OX<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/OX_4__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"OX 4\" aria-describedby=\"image-info-4787\">\n <div class=\"image-info\">\n \n <p id=\"image-info-4787\" class=\"image-info-accessibility sr-only\">OX 4\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Corinna Schneider\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Corinna Schneider<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p> OX<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,55 x 3,55 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic, paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/ox\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Affiche, culture jamming, ad busting, billboard hacking\u2014there are many names for the technique of (unauthorized) work on commercial advertising space. OX, whose pseudonym can also be read\u2014very much as intended\u2014visually and geometrically as a circle and cross, is one of the French pioneers of this art form. He \u201ctook over\u201d his first posters in the mid-1980s. In the meanwhile, he has mastered the genre. As a rule, the \u201ccontext in which the billboard is located guides [his] graphic decisions,\u201d OX explains: \u201cI am interested in the landscape, the architecture, the signage, the \u2018urban furniture,\u2019 the advertising, and even the shadows.\u201d For Urban Art Biennale 2022, by contrast, on two billboards opposite the old train station he is reflecting on the poster as medium. His collages are inspired by the \u201craw and random aesthetic\u201d that results when the images and messages of commercial billboards are damaged by weather or by the destructive rage of passersby. Over the course of the Biennale, OX will placard the two billboards several times with his \u201ctorn posters\u201d in order to \u201cimitate in an artificial and accelerated way the appearance and disappearance of these ephemeral images.\u201d<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":66,"title":"53 - Seth One","title_html":"<span class=\"guide-vpm-small\">53<\/span><span class=\"guide-vpm-zoomed\"> - Seth One<\/span>","left":"91%","top":"49%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">53<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Lighting the Shade <\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Seth One<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Sethone_Ol_Dietze__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Sethone Ol Dietze\" aria-describedby=\"image-info-3862\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3862\" class=\"image-info-accessibility sr-only\">Sethone Ol Dietze\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze\n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Oliver Dietze<\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Seth One<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,6 x 7 m <\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Acrylic<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/seth-one\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>Abstract painting\u2014particularly in the form of murals\u2014is one of the main currents in Urban Art. If we inquire, however, into the historical derivation of this formal genre, we encounter only secondarily the \u201cgreat\u201d models from modern art history. Instead, the pictorial conventions of graffiti writing serve as the basis here. These are internalized, but at some point relativized without being completely overcome, often leading to an unexpected proximity to classical Modernism. Seth One has developed his own theory and term for such abstractions inspired by graffiti: \u201cGraffolysis! This means deconstructing one or more letters to create a dynamic abstract composition.\u201d The large blue form in Seth One\u2019s work \u201cLighting the Shade\u201d for the Urban Art Biennale 2022 could be based on the letter D in the tradition of trend-setting New York writer Dondi White \u2013 or just a round form with a corner. In bright colors, combined with spatial interventions and discovered objects from the former bank branch such as locker keys integrated into it, the result is a walk-through painting. A project to champion the new, in a manner of speaking. If you take a closer look, you recognize on the wall, despite all the abstraction, the fitting lock boxes for the integrated keys.<\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"},{"marker":{"id":55,"title":"57 - Mathieu Tremblin","title_html":"<span class=\"guide-vpm-small\">57<\/span><span class=\"guide-vpm-zoomed\"> - Mathieu Tremblin<\/span>","left":"20%","top":"51%","type":"Info"},"info":"\n<div class=\"block block--blank block--exhibit-navigation\">\n <div class=\"container\">\n <div class=\"row justify-content-center exhibit-navigation\">\n <div class=\"col-12\">\n \n <div class=\"prev\"><\/div>\n \n <span class=\"exhibit-number\">57<\/span>\n \n\t\t\t\t\t<div class=\"next\"><\/div>\n \n <\/div>\n <\/div>\n <div class=\"row justify-content-center exhibit-item-header-info\">\n\n \n <div class=\"col-10\">\n <h1>Tautological Propaganda<\/h1>\n \n\t\t\t\t\t<p class=\"exhibit-artist\">Mathieu Tremblin<\/p>\n <\/div>\n \n\n <\/div>\n <\/div>\n<\/div>\n\n\n <div class=\"exhibit-hero\">\n <img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-2__ScaleMaxWidthWzE2MDBd.jpg\" alt=\"Tremblin 2\" aria-describedby=\"image-info-3900\">\n <div class=\"image-info\">\n \n <p id=\"image-info-3900\" class=\"image-info-accessibility sr-only\">Tremblin 2\n \n <br>Copyright: Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith \n \n <\/p>\n \n\n \n \n <div class=\"copyright\" aria-hidden=\"true\">\n <button tabindex=\"-1\" class=\"copyright-trigger\">©<\/button>\n <div class=\"copyright-tooltip hidden\">\n <p>Weltkulturerbe V\u00f6lklinger H\u00fctte \/ Karl Heinrich Veith <\/p>\n <div class=\"copyright-tooltip-arrow\" data-popper-arrow><\/div>\n <\/div>\n <\/div>\n \n<\/div>\n <\/div>\n\n\n<div class=\"block block--white\">\n <div class=\"container\">\n\n <div class=\"row justify-content-center exhibit-item-infos\">\n <div class=\"col-12\">\n\n <div class=\"row exhibit-item-infos-list\">\n\n \n <div class=\"col-12 col-md-6\">\n <h3>Artist<\/h3>\n <p>Mathieu Tremblin<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Date<\/h3>\n <p>2022, in situ<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Dimensions<\/h3>\n <p>2,7 x 14 m<\/p>\n <\/div>\n \n\n \n <div class=\"col-12 col-md-6\">\n <h3>Material<\/h3>\n <p>Paper<\/p>\n <\/div>\n \n\n \n\n \n\n \n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<div class=\"col-12 exhibit-item-actions-wrappercol\">\n\t\t\t\t\t\t\t\t<div class=\"exhibit-item-actions\">\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/artists\/info\/mathieu-tremblin\" class=\"btn-bordered\">To the artist page<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<a href=\"\/en\/mediaguide\/parcours\/#;vp1=3\" class=\"btn-bordered\"><svg class=\"svg-pin\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" version=\"1.1\" viewBox=\"0 0 16 16\" aria-hidden=\"true\" focusable=\"false\"><g fill=\"#4CA981\" transform=\"scale(0.015625 0.015625)\"><path d=\"M512 0c-212.062 0-384 171.938-384 384s384 640 384 640 384-427.938 384-640-171.938-384-384-384zM512 640c-141.376 0-256-114.624-256-256s114.624-256 256-256 256 114.624 256 256-114.624 256-256 256z\"\/><\/g><\/svg>Auf Lageplan anzeigen<\/a>\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\n <\/div>\n\n \n <div class=\"exhibit-item-infos-description\">\n <h3>Description <\/h3>\n <div class=\"exhibit-description\">\n <p>The Strasbourg-based artist Mathieu Tremblin can be described, without exaggeration, as a master of urban conceptualism\u2014providing the designation is permitted to encompass playful visuality and, for all the heterogeneity, biting commentary. The creator of <em>Tag Clouds<\/em>, which went viral on the net, has a penchant for confronting the supposed certainties of the in-scene and society. \"French Street-art Artist Finally Makes Graffiti Legible,\" read <em>Musikexpress's<\/em> headline in regard to his famous project. With artists like Tremblin, graffiti and street art have entered an era of self-reflection. Tremblin's work <em>Tautological Propaganda<\/em> adroitly disassembles the fashion-brand trivialization and commercialization of the artwork of the street artist Shepard Fairey, who is internationally renowned above all for his iconic Obama poster. Fairey helped himself to quotes from John Carpenter's capitalism-critical cult film <em>They Live!<\/em> (1988) when creating a critical image for his Obey campaign, which Fairey then subsequently evolved into his fashion brand, Obey Clothing. Tremblin, also with reference to Carpenter's film, turns his attention to the consumers of Fairey's clothing and, by feeding their social media posts through a 'sunglasses filter,' makes the true capitalist face visible\u2014in this case, that of purchasable urban art styles.<\/p><p><img src=\"\/assets\/guide\/exponate\/bilder\/urban-art-biennale-2022\/Tremblin-1-v2__ResizedImageWzYwMCwzOTdd.jpg\" alt=\"\" width=\"600\" height=\"397\" class=\"leftAlone ss-htmleditorfield-file image\"><\/p><p>Tautological Propaganda <br>2022, in situ<\/p><p> <\/p>\n <\/div>\n <\/div>\n \n\n\t\t\t\t\n\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n"}]}] Select exhibit
